"I Do" is an immersive hotel drama that lays bare the messy, emotional world of a wedding day, turning the familiar tropes into something deeply moving. Created by Daphna Attias and Terry O'Donovan, this site-specific show captures the final 10 minutes before Georgie and Tunde tie the knot, transporting the audience to six different rooms, each with its own unique scenario.
The production is both a voyeuristic exercise in humor and a deeply intimate exploration of anguish and insecurity. The set design by Jenny Hayton perfectly captures the juxtaposition of corporate kitsch and personal detritus, from rose petals scattered on beds to TCP in the bathroom.
The performances are searing, with each character's emotions evolving through subtle looks between them, touches, and tiny shifts in expression. The direction is immaculate, allowing for stillness as emotions unfold at their own pace.
As the story gathers shape, it becomes clear that almost every character has a place in this world by the end of the show. It's a big, heart-wrenching, ridiculous, and wonderful exploration of love, regret, and human connection.
The only slightly corny element is the returning cleaner, who enters rooms in reverse, but even he brings a surreal charm to the proceedings. Overall, "I Do" is an unforgettable theatrical experience that will leave you invested in its characters and their stories, much like any real wedding day.
The show's site-specific format allows for a unique, immersive experience, with each room bringing a new scenario to the table. From the best man's same-sex passion to the bride's "call it all off" nerves, every moment is expertly woven into the narrative.
At its core, "I Do" is a love letter to the messy, imperfect beauty of human relationships. It's a show that will make you laugh, cry, and root for its characters as they navigate the complexities of love and loss.
The production is both a voyeuristic exercise in humor and a deeply intimate exploration of anguish and insecurity. The set design by Jenny Hayton perfectly captures the juxtaposition of corporate kitsch and personal detritus, from rose petals scattered on beds to TCP in the bathroom.
The performances are searing, with each character's emotions evolving through subtle looks between them, touches, and tiny shifts in expression. The direction is immaculate, allowing for stillness as emotions unfold at their own pace.
As the story gathers shape, it becomes clear that almost every character has a place in this world by the end of the show. It's a big, heart-wrenching, ridiculous, and wonderful exploration of love, regret, and human connection.
The only slightly corny element is the returning cleaner, who enters rooms in reverse, but even he brings a surreal charm to the proceedings. Overall, "I Do" is an unforgettable theatrical experience that will leave you invested in its characters and their stories, much like any real wedding day.
The show's site-specific format allows for a unique, immersive experience, with each room bringing a new scenario to the table. From the best man's same-sex passion to the bride's "call it all off" nerves, every moment is expertly woven into the narrative.
At its core, "I Do" is a love letter to the messy, imperfect beauty of human relationships. It's a show that will make you laugh, cry, and root for its characters as they navigate the complexities of love and loss.