Sting Sues Over Police Royalties with Former Bandmates in High Court Battle
A long-standing dispute between Sting and his former Police bandmates, Stewart Copeland and Andy Summers, has finally reached the high court. The battle centers on unpaid royalties, specifically "arranger's fees" paid to the two musicians for their contributions to the group's music.
The disagreement dates back to 1977 when the three musicians formed the Police, one of the most iconic bands of the 1980s. Sting, who was also the primary songwriter and bassist, has been accused by Copeland and Summers of failing to pay them the agreed-upon fees for their work on songs like "Every Breath You Take" and "Roxanne". The dispute has escalated into a Β£1.5 million (approximately $2m) claim against Sting's company Magnetic Publishing.
At stake is not only the payment of long-overdue royalties but also the interpretation of agreements made between the band members in the late 1970s and 2016, particularly regarding streaming income. The high court must interpret whether Sting's arrangement with his former bandmates applies to modern streaming platforms like Spotify, where "Every Breath You Take" has been streamed over 3 billion times.
Sting's representative argues that arrangements for publishing income do not apply to streaming, while Copeland and Summers claim they are entitled to a share of the money generated from all forms of commercial exploitation. The case has significant implications for the music industry in the era of streaming, where royalties can be substantial and disputes over payment are becoming increasingly common.
The trial is set to conclude on Thursday, with a verdict expected soon after. A similar case involving the estates of Jimi Hendrix's bassist Noel Redding and drummer Mitch Mitchell is also nearing its conclusion, further highlighting the complexities surrounding performers' rights, copyright, and unpaid royalties in the digital age.
A long-standing dispute between Sting and his former Police bandmates, Stewart Copeland and Andy Summers, has finally reached the high court. The battle centers on unpaid royalties, specifically "arranger's fees" paid to the two musicians for their contributions to the group's music.
The disagreement dates back to 1977 when the three musicians formed the Police, one of the most iconic bands of the 1980s. Sting, who was also the primary songwriter and bassist, has been accused by Copeland and Summers of failing to pay them the agreed-upon fees for their work on songs like "Every Breath You Take" and "Roxanne". The dispute has escalated into a Β£1.5 million (approximately $2m) claim against Sting's company Magnetic Publishing.
At stake is not only the payment of long-overdue royalties but also the interpretation of agreements made between the band members in the late 1970s and 2016, particularly regarding streaming income. The high court must interpret whether Sting's arrangement with his former bandmates applies to modern streaming platforms like Spotify, where "Every Breath You Take" has been streamed over 3 billion times.
Sting's representative argues that arrangements for publishing income do not apply to streaming, while Copeland and Summers claim they are entitled to a share of the money generated from all forms of commercial exploitation. The case has significant implications for the music industry in the era of streaming, where royalties can be substantial and disputes over payment are becoming increasingly common.
The trial is set to conclude on Thursday, with a verdict expected soon after. A similar case involving the estates of Jimi Hendrix's bassist Noel Redding and drummer Mitch Mitchell is also nearing its conclusion, further highlighting the complexities surrounding performers' rights, copyright, and unpaid royalties in the digital age.