From Cole’s to the Bradbury Building: How Andy Garcia Shot His Noir in Downtown Los Angeles

The recent announcement that Andy Garcia’s detective story, Diamond, will be premiering at the Cannes Film Festival has brought renewed attention to the challenges facing filmmakers who choose to shoot on location in Los Angeles. In an era where productions are increasingly fleeing the city for more favorable tax incentives and easier logistics, Garcia’s film is a rare example of a modern-day noir that actually shot in LA – with remarkable dedication.

Garcia’s love letter to Los Angeles is not just a nostalgic tribute to the city’s iconic architecture; it’s also a testament to the unique character of LA itself. The film’s protagonist, Joe Diamond, embodies the spirit of the city: a relic from another time perfectly at home in modern-day Los Angeles. As Garcia navigates the complexities of Diamond’s past and present, he invites viewers to experience the city through fresh eyes – or rather, through the eyes of a seasoned Angeleno.

Shooting on location in LA is crucial to immersing the audience in the story world. Garcia himself notes, “It’s the world he lives in.” By staying true to the city’s character, Garcia creates a sense of authenticity that is rare in modern cinema. This is evident in every detail – from the restored sign at Cole’s to the use of authentic Chinese food props at Clifton’s Cafeteria.

The casting process for Diamond also reflects Garcia’s commitment to authenticity. He sought out actors who embodied the complexity and nuance of his characters, rather than relying on well-known stars or formulaic character types. The results are remarkable – particularly in Vicky Krieps’ portrayal of the enigmatic wife, which is both captivating and deeply unsettling.

The production schedule was tight, with just 25 days to shoot at over 50 locations throughout the city. However, every detail was carefully chosen to reflect the spirit of LA. This dedication to authenticity is a breath of fresh air in an industry where franchises and sequels often take precedence over original storytelling.

As Diamond prepares to premiere at Cannes, it’s worth considering what this film says about the state of modern cinema. The industry insider who spoke to THR noted that people would often ask for compromises on location, suggesting alternatives like Atlanta. But Garcia refused, saying, “No, I’m sorry. I can’t do it.”

For fans of LA and filmmaking alike, Diamond is a long-overdue film – not just for its portrayal of the city, but also for its unapologetic commitment to authenticity in an industry where compromise often comes at a cost. As Garcia notes, “You can’t make people like it. It’s on its own.” With any luck, Diamond will prove that sometimes the most compelling stories are those that take risks – and stay true to their vision.

The success of films like Diamond serves as a reminder that LA is not just a city, but also a character in itself, one that deserves to be portrayed with authenticity and respect. As we watch this remarkable film premiere at Cannes, let’s remember the importance of staying true to our artistic vision – no matter how daunting the challenges may seem.