The sequel to the hit film "Wicked," "Wicked: For Good," is a mess of a blockbuster that prioritizes profits over quality. The decision to split the final adaptation of L. Frank Baum's classic novel into two films, released eight months apart, may have seemed like a good idea at first, but it ultimately led to this disappointing result.
The original film was a visually stunning and emotive take on Gregory Maguire's book, with standout performances from Cynthia Erivo as Elphaba and Amanda Seyfried as Glinda. However, the sequel is a different story altogether. The pacing is glacially slow, the songs are muddled, and the writing lacks depth.
One of the main problems with "Wicked: For Good" is its focus on profits over artistic merit. By splitting the film into two parts, the studios have managed to prolong the franchise's lifespan, but at the cost of a genuinely good product. The sequel's attempts to condense the story into a single film are admirable, but ultimately misguided.
The problem is that "Wicked" was never really an original story to begin with. As a stage production, it already pushes three hours, and audiences know some version of this tale already. In fact, the musical is based on L. Frank Baum's 1939 film adaptation of "The Wonderful Wizard of Oz," which has become a beloved classic.
By splitting the franchise into two films, the studios have managed to prolong the story's lifespan, but at the cost of a genuinely good product. The sequel's attempts to include every detail from the original book are admirable, but ultimately misguided. The result is a film that feels like it's trying too hard to fit everything in, without any real focus or direction.
The performances from Erivo and Grande are notable exceptions in an otherwise disappointing film. However, they are often overshadowed by the mess of a narrative that surrounds them. The chemistry between the leads is undeniable, but it's not enough to save the film from its overall shortcomings.
Ultimately, "Wicked: For Good" feels like a symbol of franchise filmmaking greed and capitalism run amok. By prioritizing profits over quality, the studios have managed to create a product that feels more like a commodity than an art form. The result is a film that's only notable for its commercial success, rather than any real artistic merit.
The irony is not lost on fans of the original book or film. "Wicked" was always meant to be a story about the power of embracing your true self and defying those who try to control you. But in the sequel, we're left with a hollow space where that heart should be, instead of the empty, profit-driven narrative that takes its place.
As we watch "Wicked: For Good," it's hard not to feel like we're watching an example of what happens when franchise filmmaking prioritizes profits over quality. The result is a mess of a blockbuster that leaves us feeling disappointed and frustrated.
The original film was a visually stunning and emotive take on Gregory Maguire's book, with standout performances from Cynthia Erivo as Elphaba and Amanda Seyfried as Glinda. However, the sequel is a different story altogether. The pacing is glacially slow, the songs are muddled, and the writing lacks depth.
One of the main problems with "Wicked: For Good" is its focus on profits over artistic merit. By splitting the film into two parts, the studios have managed to prolong the franchise's lifespan, but at the cost of a genuinely good product. The sequel's attempts to condense the story into a single film are admirable, but ultimately misguided.
The problem is that "Wicked" was never really an original story to begin with. As a stage production, it already pushes three hours, and audiences know some version of this tale already. In fact, the musical is based on L. Frank Baum's 1939 film adaptation of "The Wonderful Wizard of Oz," which has become a beloved classic.
By splitting the franchise into two films, the studios have managed to prolong the story's lifespan, but at the cost of a genuinely good product. The sequel's attempts to include every detail from the original book are admirable, but ultimately misguided. The result is a film that feels like it's trying too hard to fit everything in, without any real focus or direction.
The performances from Erivo and Grande are notable exceptions in an otherwise disappointing film. However, they are often overshadowed by the mess of a narrative that surrounds them. The chemistry between the leads is undeniable, but it's not enough to save the film from its overall shortcomings.
Ultimately, "Wicked: For Good" feels like a symbol of franchise filmmaking greed and capitalism run amok. By prioritizing profits over quality, the studios have managed to create a product that feels more like a commodity than an art form. The result is a film that's only notable for its commercial success, rather than any real artistic merit.
The irony is not lost on fans of the original book or film. "Wicked" was always meant to be a story about the power of embracing your true self and defying those who try to control you. But in the sequel, we're left with a hollow space where that heart should be, instead of the empty, profit-driven narrative that takes its place.
As we watch "Wicked: For Good," it's hard not to feel like we're watching an example of what happens when franchise filmmaking prioritizes profits over quality. The result is a mess of a blockbuster that leaves us feeling disappointed and frustrated.