Artist Phil Buehler has unveiled a new mural in Brooklyn titled "Wall of Tears," which serves as a poignant tribute to 18,457 children killed in Gaza between October 2023 and July 2025. Created with the help of Radio Free Brooklyn, the massive art installation stretches for 50 feet along Grattan Street, listing the names of the deceased children in chronological order, according to data from the Gaza health ministry.
Buehler's work is not without its challenges, as he acknowledges that the scale of these tragic events can be overwhelming. "A single death is a tragedy," he notes, "a million deaths is a statistic." The Wall of Tears aims to humanize this statistic by showcasing the names and faces of the children who lost their lives, accompanied by stories and photos, drawing on reports from reputable sources such as the Guardian and Washington Post.
The mural has been sparked controversy in New York, where nearly 1 million Jews reside, with some attempting to brand efforts to highlight Palestinian suffering as antisemitic. Buehler rejects this notion, emphasizing that open dialogue is essential for addressing these complex issues. "You can't have that conversation at all," he says. "I worry a little bit about that with this piece."
The Wall of Tears has also drawn connections to other notable murals created by Buehler, including the Wall of Lies and the Empty Beds series. However, it is arguably his most personal and emotionally charged work to date.
In an effort to honor the memory of five-year-old Hind Rajab, who was killed during the conflict, a real-life audio recording of her final hours has been incorporated into the mural. This poignant moment serves as a stark reminder of the human cost of war.
Buehler's dedication to using art as a tool for social commentary is evident in his work on the Wall of Tears. As he hopes that viewers will come away from this installation with a sense of empathy and understanding, it remains to be seen whether his message will resonate in a culture often divided by tribalism.
Buehler's work is not without its challenges, as he acknowledges that the scale of these tragic events can be overwhelming. "A single death is a tragedy," he notes, "a million deaths is a statistic." The Wall of Tears aims to humanize this statistic by showcasing the names and faces of the children who lost their lives, accompanied by stories and photos, drawing on reports from reputable sources such as the Guardian and Washington Post.
The mural has been sparked controversy in New York, where nearly 1 million Jews reside, with some attempting to brand efforts to highlight Palestinian suffering as antisemitic. Buehler rejects this notion, emphasizing that open dialogue is essential for addressing these complex issues. "You can't have that conversation at all," he says. "I worry a little bit about that with this piece."
The Wall of Tears has also drawn connections to other notable murals created by Buehler, including the Wall of Lies and the Empty Beds series. However, it is arguably his most personal and emotionally charged work to date.
In an effort to honor the memory of five-year-old Hind Rajab, who was killed during the conflict, a real-life audio recording of her final hours has been incorporated into the mural. This poignant moment serves as a stark reminder of the human cost of war.
Buehler's dedication to using art as a tool for social commentary is evident in his work on the Wall of Tears. As he hopes that viewers will come away from this installation with a sense of empathy and understanding, it remains to be seen whether his message will resonate in a culture often divided by tribalism.