Daniel Wiles's second novel, The Puma, delves into the cyclical violence that haunts a father-son duo across generations and continents. The story centers around Bernardo, a complex and morally ambiguous figure who, with his young son James, attempts to break free from a cycle of trauma. Their journey begins in Patagonia, where Bernardo grew up, but they soon find themselves torn between the wilderness and the urban jungle of Liverpool and France.
Wiles masterfully weaves together past and present, blurring the lines between reality and fantasy, as Bernardo's dark past slowly unravels. The novel is a visceral portrayal of violence, both physical and emotional, that leaves an indelible mark on its characters. As Bernardo becomes increasingly consumed by his obsession with hunting a puma, the boundaries between human and animal begin to blur.
The author's exploration of 20th-century masculinity raises important questions about the displacement of hurt onto the natural world. The parallels drawn between colonial destruction and indigenous livelihoods serve as a scathing critique of capitalist values that prioritize profit over people and the planet. However, some may find the novel straying into an escapist fantasy, where Bernardo's transformation into a "new person" feels more like a marketing gimmick than a genuine exploration of trauma.
Despite this, Wiles's writing remains stylishly evocative, with prose that is both precise and poetic. The voice of The Puma may not be as distinct or nuanced as its predecessor, Mercia's Take, but it still conveys the author's sincere ambition to explore marginalized histories through affecting storytelling. Ultimately, The Puma is a powerful and thought-provoking novel that lingers long after the final page has been turned, leaving readers with a lasting impression of the devastating consequences of unchecked violence and trauma.
Wiles masterfully weaves together past and present, blurring the lines between reality and fantasy, as Bernardo's dark past slowly unravels. The novel is a visceral portrayal of violence, both physical and emotional, that leaves an indelible mark on its characters. As Bernardo becomes increasingly consumed by his obsession with hunting a puma, the boundaries between human and animal begin to blur.
The author's exploration of 20th-century masculinity raises important questions about the displacement of hurt onto the natural world. The parallels drawn between colonial destruction and indigenous livelihoods serve as a scathing critique of capitalist values that prioritize profit over people and the planet. However, some may find the novel straying into an escapist fantasy, where Bernardo's transformation into a "new person" feels more like a marketing gimmick than a genuine exploration of trauma.
Despite this, Wiles's writing remains stylishly evocative, with prose that is both precise and poetic. The voice of The Puma may not be as distinct or nuanced as its predecessor, Mercia's Take, but it still conveys the author's sincere ambition to explore marginalized histories through affecting storytelling. Ultimately, The Puma is a powerful and thought-provoking novel that lingers long after the final page has been turned, leaving readers with a lasting impression of the devastating consequences of unchecked violence and trauma.