"Empty" YouTube programmes are eroding the imaginative life of children, warns creator of Teletubbies
Anne Wood, a veteran producer behind the beloved children's show, is sounding the alarm about the state of kids' content on platforms like YouTube. She believes that many shows are "empty" and fail to encourage children's creative development.
Wood notes that the algorithm-driven nature of YouTube has prioritized sensationalism over high-quality content, leading to a decline in children's television since the Communications Act mandated commercial public service broadcasters to invest in kids' programming in 2003. She also criticizes the platform for its endless scroll functionality, which can be detrimental to young viewers.
The problem, Wood argues, is that algorithms are designed to keep children engaged, often at the expense of their cognitive development. "It's a real art in editing for a three- or five-year-old β you hold to allow the child time," she explains. In contrast, algorithm-driven content can be a "distraction" that keeps kids glued to screens, rather than encouraging them to think creatively.
Other experts echo Wood's concerns, including children's TV presenter Konnie Huq. She argues that the commercialization of media has led to a focus on instant gratification and short-term benefits, rather than long-term learning and development.
However, not everyone is convinced that YouTube is to blame. A spokesperson for the platform claims that it prioritizes high-quality content for kids through its quality principles and provides parents with robust controls over what their children can watch.
But research suggests that Wood and Huq may be right. Studies have shown that high-quality content that encourages creative thinking and problem-solving can have a lasting impact on children's cognitive development.
In the meantime, creators like Wood are sounding the alarm about the state of kids' content and advocating for more responsible production practices. As one expert puts it, "The undervaluing of children's TV has deep roots β people look at it as secondary to grown-up TV, but it's essential for raising the next generation."
Anne Wood, a veteran producer behind the beloved children's show, is sounding the alarm about the state of kids' content on platforms like YouTube. She believes that many shows are "empty" and fail to encourage children's creative development.
Wood notes that the algorithm-driven nature of YouTube has prioritized sensationalism over high-quality content, leading to a decline in children's television since the Communications Act mandated commercial public service broadcasters to invest in kids' programming in 2003. She also criticizes the platform for its endless scroll functionality, which can be detrimental to young viewers.
The problem, Wood argues, is that algorithms are designed to keep children engaged, often at the expense of their cognitive development. "It's a real art in editing for a three- or five-year-old β you hold to allow the child time," she explains. In contrast, algorithm-driven content can be a "distraction" that keeps kids glued to screens, rather than encouraging them to think creatively.
Other experts echo Wood's concerns, including children's TV presenter Konnie Huq. She argues that the commercialization of media has led to a focus on instant gratification and short-term benefits, rather than long-term learning and development.
However, not everyone is convinced that YouTube is to blame. A spokesperson for the platform claims that it prioritizes high-quality content for kids through its quality principles and provides parents with robust controls over what their children can watch.
But research suggests that Wood and Huq may be right. Studies have shown that high-quality content that encourages creative thinking and problem-solving can have a lasting impact on children's cognitive development.
In the meantime, creators like Wood are sounding the alarm about the state of kids' content and advocating for more responsible production practices. As one expert puts it, "The undervaluing of children's TV has deep roots β people look at it as secondary to grown-up TV, but it's essential for raising the next generation."