A peculiar gem indeed lies in Lyle Kessler's 'Orphans', a hostage power play that slowly takes its audience on a thrilling ride. The story revolves around two oddball brothers, Phillip and Treat, who live with their father figure Harold, the quiet and intimidating intruder in their lives.
The plot begins when Harold, a preoccupation with orphans, drags his children into a twisted game of power and control. Treat, the more voluble brother, is drawn into this world by Harold's bonds, which become a leverage to hold him ransom. As Harold wields his power, Phillip becomes a pawn in Harold's free-reigning father figure cum oppressor.
The connection between the orphanage where Harold grew up and the troubled past of the brothers comes flooding back, as they struggle with their own childhood trauma. Treat tries to shape Phillip into a gangland criminal, while Harold encourages him to step out of his comfort zone.
What holds this peculiar play together is its outstanding performances by Forbes Masson, Chris Walley, and Fred Woodley Evans. The actors weave a web of vulnerability, power struggles, and pent-up anger that leaves the audience breathless.
However, the play falters in exploring its setup fully, leaving room for symbolic or surreal interpretations instead of digging deeper into the complex relationships between Harold and his children. Furthermore, there are moments of unexplained bigotry that raise questions about the motivations behind their actions.
Despite these shortcomings, 'Orphans' is a captivating revival that leaves you wondering what will happen next in this volatile game of cat and mouse. With its gripping performances and intense power dynamics, it's a peculiar gem worth revisiting.
The plot begins when Harold, a preoccupation with orphans, drags his children into a twisted game of power and control. Treat, the more voluble brother, is drawn into this world by Harold's bonds, which become a leverage to hold him ransom. As Harold wields his power, Phillip becomes a pawn in Harold's free-reigning father figure cum oppressor.
The connection between the orphanage where Harold grew up and the troubled past of the brothers comes flooding back, as they struggle with their own childhood trauma. Treat tries to shape Phillip into a gangland criminal, while Harold encourages him to step out of his comfort zone.
What holds this peculiar play together is its outstanding performances by Forbes Masson, Chris Walley, and Fred Woodley Evans. The actors weave a web of vulnerability, power struggles, and pent-up anger that leaves the audience breathless.
However, the play falters in exploring its setup fully, leaving room for symbolic or surreal interpretations instead of digging deeper into the complex relationships between Harold and his children. Furthermore, there are moments of unexplained bigotry that raise questions about the motivations behind their actions.
Despite these shortcomings, 'Orphans' is a captivating revival that leaves you wondering what will happen next in this volatile game of cat and mouse. With its gripping performances and intense power dynamics, it's a peculiar gem worth revisiting.