Teen Vogue, once the go-to publication for young, progressive voices, has effectively ceased to exist as a distinct entity under the umbrella of Condé Nast's flagship brand, Vogue. What was once a beacon of feminist activism and insightful coverage of politics and identity has been significantly watered down, with its editorial identity and mission now focused on "career development" and "cultural leadership."
The shift began after Donald Trump's re-election as president, with Condé Nast citing "business concerns" as the reason for folding Teen Vogue into Vogue. However, many see this move as a calculated attempt to distance itself from the publication's progressive politics, which were a significant draw for its younger audience.
Since its heyday under Elaine Welteroth's editorship, Teen Vogue had established itself as a leading voice on issues affecting young people, including reproductive rights, LGBTQ+ inclusivity, and intersectional feminism. The magazine's coverage was often praised for its nuance and depth, tackling complex topics with authority and sensitivity.
However, under Condé Nast's new regime, the publication's editorial focus has shifted dramatically. Many of its talented writers and editors have been laid off, including its politics editor, leaving behind a significant void in terms of progressive coverage.
The implications are far-reaching, particularly for young people who rely on media outlets to shape their understanding of the world. With feminist publications disappearing or being co-opted by corporate interests, the landscape is becoming increasingly hostile to progressive voices.
As Shara Crookston, an associate professor of women's and gender studies at the University of Toledo, notes: "I worry that young girls are going to have less options for media content that helps them explore different aspects of their life, and I think that could be pretty damaging."
Lex McMenamin, a former Teen Vogue staffer who was laid off when the outlet was folded into Vogue, disagrees. She argues that feminist media is not dead and that young people are more resilient and resourceful than ever before.
In an era where online algorithms and corporate interests seem to be conspiring against progressive voices, it's essential to support independent media outlets that continue to push boundaries and challenge the status quo. By doing so, we can ensure that young people have access to the information they need to navigate a rapidly changing world.
The shift began after Donald Trump's re-election as president, with Condé Nast citing "business concerns" as the reason for folding Teen Vogue into Vogue. However, many see this move as a calculated attempt to distance itself from the publication's progressive politics, which were a significant draw for its younger audience.
Since its heyday under Elaine Welteroth's editorship, Teen Vogue had established itself as a leading voice on issues affecting young people, including reproductive rights, LGBTQ+ inclusivity, and intersectional feminism. The magazine's coverage was often praised for its nuance and depth, tackling complex topics with authority and sensitivity.
However, under Condé Nast's new regime, the publication's editorial focus has shifted dramatically. Many of its talented writers and editors have been laid off, including its politics editor, leaving behind a significant void in terms of progressive coverage.
The implications are far-reaching, particularly for young people who rely on media outlets to shape their understanding of the world. With feminist publications disappearing or being co-opted by corporate interests, the landscape is becoming increasingly hostile to progressive voices.
As Shara Crookston, an associate professor of women's and gender studies at the University of Toledo, notes: "I worry that young girls are going to have less options for media content that helps them explore different aspects of their life, and I think that could be pretty damaging."
Lex McMenamin, a former Teen Vogue staffer who was laid off when the outlet was folded into Vogue, disagrees. She argues that feminist media is not dead and that young people are more resilient and resourceful than ever before.
In an era where online algorithms and corporate interests seem to be conspiring against progressive voices, it's essential to support independent media outlets that continue to push boundaries and challenge the status quo. By doing so, we can ensure that young people have access to the information they need to navigate a rapidly changing world.