Laura Cannell's 'Brightly Shone the Moon' is a poignant exploration of winter's dualities: joy and heartache, festivity and desolation. This hauntingly beautiful folk album marks the veteran musician's most introspective work yet, delving into the complexities of the holiday season.
The album's title, inspired by the line in Good King Wenceslas before the frosts arrive, sets the tone for a sonic journey through time. Cannell begins with the organ, evoking memories of her childhood Christmases in Norfolk's Methodist chapels and churches. Her fiddle then takes center stage, weaving around 16th-century melodies like O Christmas Tree/O Tannenbaum, conjuring a sense of nostalgia and longing.
Tracks like "All Ye Faithful" convey the suffocating weight of winter, with Cannell's voice stuck in an emotional loop, yearning for connection. Yet, amidst this melancholy, moments of beauty emerge: the lilting high melodies of "Lost in a Merry Christmas," which flutter around each other in a delicate dance; the icy rush of "Bleak Midwinter," which injects a frisky kind of hope into its melody.
The album's title also hints at the fragile nature of human emotions during this time of year. Cannell tackles themes of love and heartache, with songs that capture the quiet desperation and longing that often accompanies winter. The apocalyptic "Angels Falling from the Realms" serves as a poignant reminder of the fragility of life and love.
In short, 'Brightly Shone the Moon' is an album for those willing to immerse themselves in the complex emotions that winter brings. While it may not be for the festive masses, this deeply personal work invites listeners to step into its haunting beauty, where ancient songs and long-forgotten hymns await discovery like tiny sparks of light on a snowy night.
The album's title, inspired by the line in Good King Wenceslas before the frosts arrive, sets the tone for a sonic journey through time. Cannell begins with the organ, evoking memories of her childhood Christmases in Norfolk's Methodist chapels and churches. Her fiddle then takes center stage, weaving around 16th-century melodies like O Christmas Tree/O Tannenbaum, conjuring a sense of nostalgia and longing.
Tracks like "All Ye Faithful" convey the suffocating weight of winter, with Cannell's voice stuck in an emotional loop, yearning for connection. Yet, amidst this melancholy, moments of beauty emerge: the lilting high melodies of "Lost in a Merry Christmas," which flutter around each other in a delicate dance; the icy rush of "Bleak Midwinter," which injects a frisky kind of hope into its melody.
The album's title also hints at the fragile nature of human emotions during this time of year. Cannell tackles themes of love and heartache, with songs that capture the quiet desperation and longing that often accompanies winter. The apocalyptic "Angels Falling from the Realms" serves as a poignant reminder of the fragility of life and love.
In short, 'Brightly Shone the Moon' is an album for those willing to immerse themselves in the complex emotions that winter brings. While it may not be for the festive masses, this deeply personal work invites listeners to step into its haunting beauty, where ancient songs and long-forgotten hymns await discovery like tiny sparks of light on a snowy night.