Pioneering Photographer of 'Black is Beautiful' Movement Kwame Brathwaite Passes Away at 85
Kwame Brathwaite, a photographer whose powerful images helped define the "Black is Beautiful" movement of the 1960s and beyond, has died at the age of 85. The celebrated artist's work has been on resurgent display in recent years, with notable exhibitions including his major institutional retrospective, which debuted in 2019 at the Skirball Cultural Center in Los Angeles.
Born in 1938 to Barbadian immigrants in Brooklyn, New York, Brathwaite's family moved to Harlem and then the South Bronx when he was five years old. He attended the School of Industrial Art (now the High School of Art and Design), where he discovered his passion for photography after encountering David Jackson's haunting image of Emmett Till in 1955.
Brathwaite's work is characterized by its use of limited light, a technique that enhances the visual narrative of his images. He also developed a darkroom technique that deepened how Black skin appeared in his photographs, reflecting his dedication to celebrating the beauty and dignity of Black subjects.
In the early 1960s, Brathwaite co-founded the African Jazz Arts Society and Studios (AJASS) with his brother Elombe, which aimed to push back against Eurocentric beauty standards. He photographed young Black women, known as Grandassa Models, who celebrated their natural hair and features. The group organized a groundbreaking fashion show in 1962, "Naturally '62," which would go on to be held regularly until 1992.
Throughout his career, Brathwaite worked with numerous jazz legends, including Miles Davis, John Coltrane, Thelonious Monk, and Nina Simone. He also photographed popular music icons such as Stevie Wonder, Sly and the Family Stone, Bob Marley, and the Jackson Five on their African tour in 1974.
By the 1970s, Brathwaite's focus shifted to other forms of Black music, and he continued to explore his photography style, joining Philip Martin Gallery in Los Angeles in 2016. Despite struggling with health issues, which prevented him from being interviewed for a profile in T Magazine in 2021, his work remains on display at various exhibitions, including the current show "Kwame Brathwaite: Things Well Worth Waiting For" at the Art Institute of Chicago.
Brathwaite's legacy as a pioneering photographer and activist will be remembered for generations to come. His powerful images continue to celebrate the beauty and dignity of Black subjects, inspiring new audiences to appreciate the richness and diversity of Black culture.
Kwame Brathwaite, a photographer whose powerful images helped define the "Black is Beautiful" movement of the 1960s and beyond, has died at the age of 85. The celebrated artist's work has been on resurgent display in recent years, with notable exhibitions including his major institutional retrospective, which debuted in 2019 at the Skirball Cultural Center in Los Angeles.
Born in 1938 to Barbadian immigrants in Brooklyn, New York, Brathwaite's family moved to Harlem and then the South Bronx when he was five years old. He attended the School of Industrial Art (now the High School of Art and Design), where he discovered his passion for photography after encountering David Jackson's haunting image of Emmett Till in 1955.
Brathwaite's work is characterized by its use of limited light, a technique that enhances the visual narrative of his images. He also developed a darkroom technique that deepened how Black skin appeared in his photographs, reflecting his dedication to celebrating the beauty and dignity of Black subjects.
In the early 1960s, Brathwaite co-founded the African Jazz Arts Society and Studios (AJASS) with his brother Elombe, which aimed to push back against Eurocentric beauty standards. He photographed young Black women, known as Grandassa Models, who celebrated their natural hair and features. The group organized a groundbreaking fashion show in 1962, "Naturally '62," which would go on to be held regularly until 1992.
Throughout his career, Brathwaite worked with numerous jazz legends, including Miles Davis, John Coltrane, Thelonious Monk, and Nina Simone. He also photographed popular music icons such as Stevie Wonder, Sly and the Family Stone, Bob Marley, and the Jackson Five on their African tour in 1974.
By the 1970s, Brathwaite's focus shifted to other forms of Black music, and he continued to explore his photography style, joining Philip Martin Gallery in Los Angeles in 2016. Despite struggling with health issues, which prevented him from being interviewed for a profile in T Magazine in 2021, his work remains on display at various exhibitions, including the current show "Kwame Brathwaite: Things Well Worth Waiting For" at the Art Institute of Chicago.
Brathwaite's legacy as a pioneering photographer and activist will be remembered for generations to come. His powerful images continue to celebrate the beauty and dignity of Black subjects, inspiring new audiences to appreciate the richness and diversity of Black culture.