The Joburg Ballet's latest production, Communication of Light, is an eclectic showcase featuring a range of styles and subjects from across continents. The evening begins with a lighthearted and dated Concerto for Charlie, which may appear twee at first glance but holds a knowing quality in its performance. The smooth, jazzy ballet numbers and Revlon-inspired outfits evoke a sense of nostalgia, while the piece subtly explores themes of racial antagonism and unity.
Director Dane Hurst's own Resonance adds another layer of complexity to the evening, shifting seamlessly between beauty and unease as it delves into South Africa's troubled history. The juxtaposition of prettiness and darkness is striking, making for a thought-provoking viewing experience.
Other highlights include a contemporary piece by Jorge Pérez Martínez, set to Spanish guitar, which showcases the talents of dancer Monike Cristina. Tumelo Lakana's poignant ritual prayer to his ancestors stands out as well, featuring South African steps in pointe shoes – a powerful tribute to tradition and heritage.
However, it is Dada Masilo's Salomé that truly steals the show. This urgent, energetic piece, created specifically for Joburg Ballet before Masilo's untimely passing, pulses with dramatic energy. Latoya Mokoena delivers an unforgettable performance as the seductive and powerful Salomé, bringing a sense of tragedy to the tragic finale.
The evening concludes on a somber note, leaving the audience eager to see where Hurst will lead this company in the future. As we bid farewell to Masilo's brilliant work, one can't help but feel a deep sadness at the loss – but also immense gratitude for the opportunity to experience his artistry and the incredible performances that Joburg Ballet has to offer.
				
			Director Dane Hurst's own Resonance adds another layer of complexity to the evening, shifting seamlessly between beauty and unease as it delves into South Africa's troubled history. The juxtaposition of prettiness and darkness is striking, making for a thought-provoking viewing experience.
Other highlights include a contemporary piece by Jorge Pérez Martínez, set to Spanish guitar, which showcases the talents of dancer Monike Cristina. Tumelo Lakana's poignant ritual prayer to his ancestors stands out as well, featuring South African steps in pointe shoes – a powerful tribute to tradition and heritage.
However, it is Dada Masilo's Salomé that truly steals the show. This urgent, energetic piece, created specifically for Joburg Ballet before Masilo's untimely passing, pulses with dramatic energy. Latoya Mokoena delivers an unforgettable performance as the seductive and powerful Salomé, bringing a sense of tragedy to the tragic finale.
The evening concludes on a somber note, leaving the audience eager to see where Hurst will lead this company in the future. As we bid farewell to Masilo's brilliant work, one can't help but feel a deep sadness at the loss – but also immense gratitude for the opportunity to experience his artistry and the incredible performances that Joburg Ballet has to offer.