London's Next Superclub? Warehouse by Sewage Works, Please.
When Corsica Studios closed its doors this month, leaving over 50% of UK clubs shut since 2013, the city's nightlife scene was left reeling. Yet, just when you thought all hope was lost, Eutopia – a 4,000-capacity nightclub and cultural venue in a former haulage warehouse – has opened its gates. But is this new kid on the block the real deal or just another flash in the pan?
The Eutopia team includes some of London's most seasoned nightlife operators, including co-founder Will Paterson, who's spent over two decades working at top venues like E1 and Eastern Electrics. Another co-founder, Tom Ranger, has a background in booking for Oval Space before it closed last year. Despite the challenges posed by its remote location – 12 miles from central London, with no direct transport links – the team is confident that Eutopia will thrive.
"We're not just a club," says Paterson. "We're a community space. We've got four different areas to explore, and we're open for events, film screenings, and even community gatherings." This modular design allows for flexibility and scalability, something that's crucial in a rapidly changing nightlife landscape. And with its £1.5m investment, Eutopia is setting the bar high.
The initial signs are promising – events from emerging acts like Appetite and established ravers like World Dance have sold out. However, the lack of corporate backing and private equity funding means that complacency can be a killer. Paterson warns, "We need to keep pushing ourselves to innovate and bring in new talent."
But Eutopia's most significant advantage lies in its isolation from gentrifying areas. By locating on an industrial estate near the sewage works, the team has sidestepped noise complaints and licensing issues that have plagued so many of their peers.
"It's a trade-off," acknowledges Paterson. "Venues are going to be pushed to the margins as neighbourhoods change. But we got this opportunity because it's further away." And with its commitment to expertly curated events, Eutopia is determined to show Londoners that nightlife can still thrive in unexpected places.
As one fan notes, "30 years ago there were more clubs in central London, so of course people are travelling further now. Venues like Drumsheds show that thousands of clubbers are willing to make those kinds of journeys." Eutopia's challenge is not just about staying afloat but also about changing the narrative around nightlife in London.
For now, it remains to be seen whether Eutopia will live up to its promises. But one thing is certain – this East End warehouse has already sparked hope among music fans and operators alike.
When Corsica Studios closed its doors this month, leaving over 50% of UK clubs shut since 2013, the city's nightlife scene was left reeling. Yet, just when you thought all hope was lost, Eutopia – a 4,000-capacity nightclub and cultural venue in a former haulage warehouse – has opened its gates. But is this new kid on the block the real deal or just another flash in the pan?
The Eutopia team includes some of London's most seasoned nightlife operators, including co-founder Will Paterson, who's spent over two decades working at top venues like E1 and Eastern Electrics. Another co-founder, Tom Ranger, has a background in booking for Oval Space before it closed last year. Despite the challenges posed by its remote location – 12 miles from central London, with no direct transport links – the team is confident that Eutopia will thrive.
"We're not just a club," says Paterson. "We're a community space. We've got four different areas to explore, and we're open for events, film screenings, and even community gatherings." This modular design allows for flexibility and scalability, something that's crucial in a rapidly changing nightlife landscape. And with its £1.5m investment, Eutopia is setting the bar high.
The initial signs are promising – events from emerging acts like Appetite and established ravers like World Dance have sold out. However, the lack of corporate backing and private equity funding means that complacency can be a killer. Paterson warns, "We need to keep pushing ourselves to innovate and bring in new talent."
But Eutopia's most significant advantage lies in its isolation from gentrifying areas. By locating on an industrial estate near the sewage works, the team has sidestepped noise complaints and licensing issues that have plagued so many of their peers.
"It's a trade-off," acknowledges Paterson. "Venues are going to be pushed to the margins as neighbourhoods change. But we got this opportunity because it's further away." And with its commitment to expertly curated events, Eutopia is determined to show Londoners that nightlife can still thrive in unexpected places.
As one fan notes, "30 years ago there were more clubs in central London, so of course people are travelling further now. Venues like Drumsheds show that thousands of clubbers are willing to make those kinds of journeys." Eutopia's challenge is not just about staying afloat but also about changing the narrative around nightlife in London.
For now, it remains to be seen whether Eutopia will live up to its promises. But one thing is certain – this East End warehouse has already sparked hope among music fans and operators alike.