The article discusses the Brazilian gallery Simões de Assis, which has been instrumental in promoting and showcasing Brazilian art globally. The gallery's director, Guilherme, shares his vision for the gallery's future, highlighting the importance of international visibility and global appreciation for Brazilian art.
Guilherme notes that despite structural obstacles, such as outdated tax regulations, the Brazilian market is resilient and energized by a new generation of engaged collectors. He emphasizes the gallery's priority remains enhancing its international visibility and global appreciation for Brazilian art, placing artists in significant public and private collections.
The gallery has been successful in introducing Brazilian artists to local audiences, showcasing figures such as Gabriel de la Mora, Jean-Michel Othoniel, Olga de Amaral, and others. The gallery's strategies for each artist involve identifying relevant institutions, curators, and galleries to target, taking about four or five years to implement.
Guilherme also highlights the importance of generational transition in securing the gallery's solidity and sustainability. His father remains closely involved, but he has introduced his children to art and their artists from a very young age, allowing them to continue this legacy while improving things for the next generation.
The article concludes with Guilherme's vision for the gallery's future, emphasizing its commitment to promoting Brazilian art globally and supporting emerging artists.
Guilherme notes that despite structural obstacles, such as outdated tax regulations, the Brazilian market is resilient and energized by a new generation of engaged collectors. He emphasizes the gallery's priority remains enhancing its international visibility and global appreciation for Brazilian art, placing artists in significant public and private collections.
The gallery has been successful in introducing Brazilian artists to local audiences, showcasing figures such as Gabriel de la Mora, Jean-Michel Othoniel, Olga de Amaral, and others. The gallery's strategies for each artist involve identifying relevant institutions, curators, and galleries to target, taking about four or five years to implement.
Guilherme also highlights the importance of generational transition in securing the gallery's solidity and sustainability. His father remains closely involved, but he has introduced his children to art and their artists from a very young age, allowing them to continue this legacy while improving things for the next generation.
The article concludes with Guilherme's vision for the gallery's future, emphasizing its commitment to promoting Brazilian art globally and supporting emerging artists.
. It's amazing to see a gallery like Simões de Assis making such a big impact on the international art scene! The fact that they're prioritizing global appreciation and visibility for Brazilian artists is super important, especially with all the amazing talent out there 
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. His dedication to introducing his kids to art from a young age is so inspiring, and I love that they're carrying on this family tradition while making their own mark 
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. I mean, don't get me wrong, it's awesome that they're showcasing Brazilian talent and all, but can't they just level up their website already? It looks like something from 2012 
. And what's with the outdated tax regulations holding them back? Can't the Brazilian government just update their laws or something? 
. And what about the younger generation that doesn't have an art background? Are they even considered? 
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, passing down their knowledge and love of art from one generation to the next. That just shows how much dedication and care goes into making things happen in the arts world 
! It's amazing how they're able to bring Brazilian art to a global audience. I've noticed their show at a local gallery last year, and it was incredible to see the talent from Brazil. The way Guilherme prioritizes international visibility is super smart - Brazil has so much to offer, but people tend to forget about it when it comes to art 
The Simões de Assis gallery is doing a great job, but I'm sure it's not easy navigating those tax regulations... sounds like my aunt trying to sort out her taxes for the umpteenth time. But seriously, it's awesome to see Brazilian artists getting some serious recognition. Guilherme seems like a total boss, prioritizing international visibility and supporting emerging artists - talk about a legacy to build on! And I love that he's keeping his family involved in the business... I guess you could say they're 'art'-ing the family business! 
. It's not just about showcasing their work in galleries around the world, but also introducing them to local audiences who might not have known about this amazing talent before 
. I think it's super cool that Guilherme and his family are committed to passing on the knowledge and passion for art from one generation to the next 
. And with a new generation of engaged collectors coming up, it's going to be even more exciting to see how Brazilian art continues to evolve and thrive 
