North America's box office has hit rock bottom, with October takings plummeting to their lowest level since 1997. The dismal performance marks the worst Halloween weekend of the year, as cinema earnings for the three-day period fell short of expectations.
A lackluster slate of big-name releases is being cited as a major factor in the poor results. Notably, Tron: Ares, an effects-heavy blockbuster, grossed only $67 million domestically, despite its reported budget of $180 million. Other highly anticipated films, including Dwayne Johnson's The Smashing Machine and Julia Roberts' #MeToo drama After the Hunt, also underperformed at the box office.
The traditional Halloween boost is usually a welcome lift for cinema earnings, but this year's festivities were marred by the date falling on a Friday, when many intended audiences would be busy with other activities. As a result, October's weekend of October 31 to November 2 saw the lowest box office take of the year, with just $48.3 million in receipts.
The horror genre, typically a reliable draw for Halloween enthusiasts, was also lacking this time around. The leading horror release of the season, Black Phone 2, managed only $8 million over the weekend, while Shelby Oaks, touted as a buzzy new thriller, took in a paltry $770,000 from its wide theatrical release.
Baseball's World Series climax may have further contributed to the disappointing box office performance, with many fans choosing to stay home and watch the game instead of heading to the cinema. When asked about the poor results, Exhibitor Relations analyst Jeff Bock summed it up succinctly: "The major releases this month failed to deliver. Simple as that."
However, not all was bad news β Taylor Swift's The Official Release Party of a Showgirl proved to be a silver lining, with the film raking in $34 million over its two-weekend run in theaters.
A lackluster slate of big-name releases is being cited as a major factor in the poor results. Notably, Tron: Ares, an effects-heavy blockbuster, grossed only $67 million domestically, despite its reported budget of $180 million. Other highly anticipated films, including Dwayne Johnson's The Smashing Machine and Julia Roberts' #MeToo drama After the Hunt, also underperformed at the box office.
The traditional Halloween boost is usually a welcome lift for cinema earnings, but this year's festivities were marred by the date falling on a Friday, when many intended audiences would be busy with other activities. As a result, October's weekend of October 31 to November 2 saw the lowest box office take of the year, with just $48.3 million in receipts.
The horror genre, typically a reliable draw for Halloween enthusiasts, was also lacking this time around. The leading horror release of the season, Black Phone 2, managed only $8 million over the weekend, while Shelby Oaks, touted as a buzzy new thriller, took in a paltry $770,000 from its wide theatrical release.
Baseball's World Series climax may have further contributed to the disappointing box office performance, with many fans choosing to stay home and watch the game instead of heading to the cinema. When asked about the poor results, Exhibitor Relations analyst Jeff Bock summed it up succinctly: "The major releases this month failed to deliver. Simple as that."
However, not all was bad news β Taylor Swift's The Official Release Party of a Showgirl proved to be a silver lining, with the film raking in $34 million over its two-weekend run in theaters.