English National Opera's staging of Gilbert and Sullivan's HMS Pinafore is an unapologetically over-the-top romp that lovingly skewers 19th-century British politics and society. Director Cal McCrystal has taken a cue from the original music hall context, incorporating additional material to create a show that is both nostalgic and freshly funny.
The production features a talented cast, led by Neal Davies as the titular character, Sir Joseph Porter, whose struggle to pronounce his r's provides plenty of comedic fodder. The supporting cast is equally impressive, with standout performances from Rhonda Browne as the lovely Buttercup and Trevor Eliot Bowes as the hilariously hammy Dick Deadeye.
But it's Mel Giedroyc who steals the show as Aunt Melanie and her doppelganger, taking on not one but two roles to hilarious effect. The actress proves herself to be a versatile and fearless performer, navigating both characters with ease and aplomb.
The set design is a clever homage to the original D'Oyly Carte productions, with vibrant costumes and slick lighting that transport the audience back to the 19th century. Takis's designs are spot on, capturing the era's flair and wit perfectly.
One of the standout features of this production is its physical comedy, which brings the show up to date in a way that feels both playful and irreverent. The cast is expertly led by McCrystal, who has a keen eye for comedic timing and a deep understanding of the original material.
When it comes together – and it does so at full throttle during the barnstorming company hornpipe – this gloriously daffy Pinafore is an absolute riot. With its irrepressible cast, clever set design, and side-splitting humor, this show is a must-see for fans of Gilbert and Sullivan and anyone looking for a laugh-out-loud good time.
But be warned: this production doesn't take itself too seriously, and neither should you. It's a joyful celebration of the original material, lovingly reimagined for a modern audience. So sit back, relax, and carry on up the poop deck – just like the rest of the cast!
The production features a talented cast, led by Neal Davies as the titular character, Sir Joseph Porter, whose struggle to pronounce his r's provides plenty of comedic fodder. The supporting cast is equally impressive, with standout performances from Rhonda Browne as the lovely Buttercup and Trevor Eliot Bowes as the hilariously hammy Dick Deadeye.
But it's Mel Giedroyc who steals the show as Aunt Melanie and her doppelganger, taking on not one but two roles to hilarious effect. The actress proves herself to be a versatile and fearless performer, navigating both characters with ease and aplomb.
The set design is a clever homage to the original D'Oyly Carte productions, with vibrant costumes and slick lighting that transport the audience back to the 19th century. Takis's designs are spot on, capturing the era's flair and wit perfectly.
One of the standout features of this production is its physical comedy, which brings the show up to date in a way that feels both playful and irreverent. The cast is expertly led by McCrystal, who has a keen eye for comedic timing and a deep understanding of the original material.
When it comes together – and it does so at full throttle during the barnstorming company hornpipe – this gloriously daffy Pinafore is an absolute riot. With its irrepressible cast, clever set design, and side-splitting humor, this show is a must-see for fans of Gilbert and Sullivan and anyone looking for a laugh-out-loud good time.
But be warned: this production doesn't take itself too seriously, and neither should you. It's a joyful celebration of the original material, lovingly reimagined for a modern audience. So sit back, relax, and carry on up the poop deck – just like the rest of the cast!
! The casting is spot on - Neal Davies as Sir Joseph Porter is perfectionist 
, Rhonda Browne as Buttercup had me giggling 
, and Mel Giedroyc as Aunt Melanie and her doppelganger is absolute genius 
. I love how the production pokes fun at 19th-century British politics and society in a playful way - it's like a slap on the face... in the best possible way! 
The physical comedy had me rolling on the floor, especially during that company hornpipe number 
. If you're looking for a laugh-out-loud good time with a dash of historical flair, this is the show for you!
. I mean, taking on two roles at once? Genius! 
. The set design and lighting are spot on too, it really transports you back to the 19th century 
I'm definitely going to check this out, thanks for the rec! 
! I mean, who doesn't love a good parody of 19th-century British politics and society? The way they've incorporated additional material to make it feel nostalgic yet freshly funny is pure genius 
. And let's talk about the cast - Neal Davies as Sir Joseph Porter is comedy gold 
, while Mel Giedroyc stealing the show with two roles is just amazing 
!
. They're all about trashing it as "over-the-top" but for me, that's the point - it's a glorious celebration of absurdity and satire 
but if you're looking for a night out that'll leave you grinning from ear to ear, look no further! 
