Hawaii: A Kingdom Crossing Oceans review – a feather-filled thriller full of gods, gourds, and ghosts
The global explorer James Cook's tragic death on the shores of Hawaii's Kealakekua Bay in 1779 still sends shivers down anthropologists' spines. While Cook had previously visited Hawaii and was identified as the god Lono, he didn't know it, leading to a cultural misunderstanding that resulted in his demise. The debate surrounding Cook's death has been ongoing, with some arguing that he was killed because of his repeated visits, while others claim that British colonialist assumptions of "native" irrationality were imposed on the Hawaiians.
However, what is less well-known is the aftermath of Cook's death and the complex cultural encounter that followed. The British Museum's latest exhibition, which explores the history of Hawaii through its treasured objects, takes a different approach to the story, focusing on the monarchy at its core. By putting the "British" narrative into perspective, the show reveals a more nuanced picture of how the Hawaiian kingdom navigated cultural diplomacy and maintained its sovereignty in the face of colonial powers.
At the heart of this exhibition is an impressive collection of Hawaiian treasures, including feathered godheads, 'uli'uli dance rattles, and intricately carved wooden bowls. These artworks not only showcase the craftsmanship and artistic genius of Hawaiian culture but also serve as powerful symbols of identity and memory for the indigenous people. The fact that these delicate, fragile pieces have survived for almost 250 years is a testament to the British Museum's dedication to preserving cultural heritage.
The exhibition is more than just a celebration of Hawaii; it's a defense of museums with global collections. By acknowledging the complex history behind each object and its significance within Hawaiian culture, the show offers a refreshing alternative to the typical "discovery" narrative often associated with colonialism. The objects on display are not relics of a dead culture but rather instruments of cultural resistance.
Ultimately, the story of Hawaii's encounter with Britain ends with the deaths of King Kamehameha I and Queen Kamamulu in 1824, who died of measles in London. Their bodies were sent back to Hawaii as a gesture of respect, and their legacy continues to inspire Hawaiian culture today. As the objects on display attest, the story is far from over. The shark-toothed club and other artifacts serve as powerful reminders that cultural heritage is not static but dynamic, evolving with each generation.
This exhibition is a must-see for anyone interested in Hawaiian history, colonialism, or cultural diplomacy. It's a thrilling tale of gods, gourds, and ghosts, set against the backdrop of one of the Pacific's most fascinating cultures. By exploring the complexities of this cultural encounter, we gain a deeper understanding of the power of art to transcend borders and time, speaking to us today as much as they did two centuries ago.
The global explorer James Cook's tragic death on the shores of Hawaii's Kealakekua Bay in 1779 still sends shivers down anthropologists' spines. While Cook had previously visited Hawaii and was identified as the god Lono, he didn't know it, leading to a cultural misunderstanding that resulted in his demise. The debate surrounding Cook's death has been ongoing, with some arguing that he was killed because of his repeated visits, while others claim that British colonialist assumptions of "native" irrationality were imposed on the Hawaiians.
However, what is less well-known is the aftermath of Cook's death and the complex cultural encounter that followed. The British Museum's latest exhibition, which explores the history of Hawaii through its treasured objects, takes a different approach to the story, focusing on the monarchy at its core. By putting the "British" narrative into perspective, the show reveals a more nuanced picture of how the Hawaiian kingdom navigated cultural diplomacy and maintained its sovereignty in the face of colonial powers.
At the heart of this exhibition is an impressive collection of Hawaiian treasures, including feathered godheads, 'uli'uli dance rattles, and intricately carved wooden bowls. These artworks not only showcase the craftsmanship and artistic genius of Hawaiian culture but also serve as powerful symbols of identity and memory for the indigenous people. The fact that these delicate, fragile pieces have survived for almost 250 years is a testament to the British Museum's dedication to preserving cultural heritage.
The exhibition is more than just a celebration of Hawaii; it's a defense of museums with global collections. By acknowledging the complex history behind each object and its significance within Hawaiian culture, the show offers a refreshing alternative to the typical "discovery" narrative often associated with colonialism. The objects on display are not relics of a dead culture but rather instruments of cultural resistance.
Ultimately, the story of Hawaii's encounter with Britain ends with the deaths of King Kamehameha I and Queen Kamamulu in 1824, who died of measles in London. Their bodies were sent back to Hawaii as a gesture of respect, and their legacy continues to inspire Hawaiian culture today. As the objects on display attest, the story is far from over. The shark-toothed club and other artifacts serve as powerful reminders that cultural heritage is not static but dynamic, evolving with each generation.
This exhibition is a must-see for anyone interested in Hawaiian history, colonialism, or cultural diplomacy. It's a thrilling tale of gods, gourds, and ghosts, set against the backdrop of one of the Pacific's most fascinating cultures. By exploring the complexities of this cultural encounter, we gain a deeper understanding of the power of art to transcend borders and time, speaking to us today as much as they did two centuries ago.