Fungi: Anarchist Designers is an immersive exhibition that plunges viewers into the eerie world of fungi, showcasing their preternatural capacity to reproduce, spread, and annihilate. Featuring installations, films, and soundscapes created by a range of artists, this "Dantean journey" highlights fungi's role as co-designers of our world, outwitting it and bending it to their will.
Taxonomically, fungi encompasses over two million organisms, from microscopic yeasts to lichens and mushrooms. Some, like the death cap, are notorious for causing human deaths from mushroom poisoning. Fungi thrive on humanity's venality and shortsightedness, exploiting monocultural forests and crop plantations that have been cultivated for profit.
The exhibition highlights fungi's nihilistic propensities, yet also showcases their beautiful, intricate forms. Japanese artist Hajime Imamura creates "mycelial sculptures" as thin, intertwined coils draped across ceilings, while historic architectural drawings from the Nieuwe Instituut's archive are mottled with fungal discoloration.
Lizan Freijsen's "tufted floor objects" resemble patches of dry rot, a fungus that thrives in damp houses and wooden ships. Michael Poulsen's towering model of a termite mound spotlights the symbiosis between fungi and termites, breaking down plant cell walls to provide food for the insects.
A film by Shiho Satsuka and Liu Yi illuminates the relationship between matsutake mushrooms and Japanese pine forests, showcasing how fungi can make places habitable for trees in terrain disturbed by human impact. The installation "architecture must rot" explores how materials are broken down and transfigured by fungal growth, questioning the fiction of architecture's physical permanence.
The exhibition culminates in a corridor of manifestos urging us to rethink our relationship with the more-than-human world. Enlivened by a wealth of detail, most of it disquieting, this atmospheric and engrossing show ensures that you'll never look at a mushroom in the same way again. As Plath's ominous ode reminds us, "We shall by morning, inherit the earth – Our foot's in the door."
Taxonomically, fungi encompasses over two million organisms, from microscopic yeasts to lichens and mushrooms. Some, like the death cap, are notorious for causing human deaths from mushroom poisoning. Fungi thrive on humanity's venality and shortsightedness, exploiting monocultural forests and crop plantations that have been cultivated for profit.
The exhibition highlights fungi's nihilistic propensities, yet also showcases their beautiful, intricate forms. Japanese artist Hajime Imamura creates "mycelial sculptures" as thin, intertwined coils draped across ceilings, while historic architectural drawings from the Nieuwe Instituut's archive are mottled with fungal discoloration.
Lizan Freijsen's "tufted floor objects" resemble patches of dry rot, a fungus that thrives in damp houses and wooden ships. Michael Poulsen's towering model of a termite mound spotlights the symbiosis between fungi and termites, breaking down plant cell walls to provide food for the insects.
A film by Shiho Satsuka and Liu Yi illuminates the relationship between matsutake mushrooms and Japanese pine forests, showcasing how fungi can make places habitable for trees in terrain disturbed by human impact. The installation "architecture must rot" explores how materials are broken down and transfigured by fungal growth, questioning the fiction of architecture's physical permanence.
The exhibition culminates in a corridor of manifestos urging us to rethink our relationship with the more-than-human world. Enlivened by a wealth of detail, most of it disquieting, this atmospheric and engrossing show ensures that you'll never look at a mushroom in the same way again. As Plath's ominous ode reminds us, "We shall by morning, inherit the earth – Our foot's in the door."