When you step into the exhibition "untitled, unknown" at a Detroit gallery, something profound happens. You enter a world that's both overwhelming and intimate, like stepping out of time to find yourself lost in a sea of white.
Collaborative pieces by Mat Larimer and Sandi Bache fill the space with over 200 marks made from various materials such as pastels, cyanotype, acrylic paint, pencil, graphite, crayons. This visual conversation between two artists working without preconceptions or expectations takes you on an emotional journey through contrasts and colors.
For months, their approaches blurred, each artist responding to what the other had left behind in a spontaneous dance of marks and ideas that felt like a long ongoing conversation, said Bache. "It's not prescriptive; it doesn't say 'this is the meaning.' It puts ownership on the viewer to engage with it and find their own meaning."
Larimer says that his experience working on this show reminds him of collaborating on music, saying you need something to start with, or nothing happens.
The title "untitled, unknown" clicked for me in a deeper way because the lack of a clear message invites viewers to create their own interpretation. This theme feels central to the show.
A few pieces stood out, like a row of darker dreamier works that felt almost nocturnal and were anchored by a piece of near-perfect squares β order amidst chaos. In these moments, you're not lost in visual sameness; instead, they give viewers something to return to as they move through the room.
Ultimately, this is an exhibition about what happens between creatives who work together to make something beautiful yet uncertain, not just for themselves but also for others.
Collaborative pieces by Mat Larimer and Sandi Bache fill the space with over 200 marks made from various materials such as pastels, cyanotype, acrylic paint, pencil, graphite, crayons. This visual conversation between two artists working without preconceptions or expectations takes you on an emotional journey through contrasts and colors.
For months, their approaches blurred, each artist responding to what the other had left behind in a spontaneous dance of marks and ideas that felt like a long ongoing conversation, said Bache. "It's not prescriptive; it doesn't say 'this is the meaning.' It puts ownership on the viewer to engage with it and find their own meaning."
Larimer says that his experience working on this show reminds him of collaborating on music, saying you need something to start with, or nothing happens.
The title "untitled, unknown" clicked for me in a deeper way because the lack of a clear message invites viewers to create their own interpretation. This theme feels central to the show.
A few pieces stood out, like a row of darker dreamier works that felt almost nocturnal and were anchored by a piece of near-perfect squares β order amidst chaos. In these moments, you're not lost in visual sameness; instead, they give viewers something to return to as they move through the room.
Ultimately, this is an exhibition about what happens between creatives who work together to make something beautiful yet uncertain, not just for themselves but also for others.