When crime and punishment come into play, the concept of homecoming often takes a backseat, but decarceration and re-entry are crucial aspects of the justice system. A Giant on the Bridge, a new gig-theatre piece created by singer-songwriter Jo Mango and theatre-maker Liam Hurley, tackles these subjects head-on.
The project was born out of research into people's experiences upon release from prison, revealing shocking statistics about those who struggle to reintegrate back into society. Research associate Phil Crockett Thomas says that the process often focuses on societal issues rather than individual circumstances, highlighting the need for better support systems and job opportunities.
A Giant on the Bridge features a diverse ensemble of Scottish musicians performing songs co-written by people with first-hand experience of the prison system. One standout song, Bars and Multicoloured Chairs, was written by someone nearing the end of their sentence, capturing the complex emotions associated with release. The show's power lies in its plurality of voices, which create a rich tapestry of storytelling.
Theatre-maker Hurley praises the cast for bringing their unique identities to the performance, making it an intimate and engaging experience. "It's that moment where a live performer is telling a story as themselves, and then they become the character," he says. The show has evolved over time, becoming more confident in its own shape while still retaining its sensitivity.
One of the most striking aspects of A Giant on the Bridge is its ability to tackle tough subjects like decarceration without offering simplistic answers. Instead, it provides a space for audiences to listen, feel, and sit with discomfort. As Hurley puts it, "We can't all talk at the same time, but we can all sing at the same time." The show's message is clear: we need to work together to address the complex issues surrounding homecoming.
As A Giant on the Bridge tours Scotland, it offers a unique opportunity for audiences to engage with these critical topics in a thought-provoking and emotionally charged way. Will you be singing along?
The project was born out of research into people's experiences upon release from prison, revealing shocking statistics about those who struggle to reintegrate back into society. Research associate Phil Crockett Thomas says that the process often focuses on societal issues rather than individual circumstances, highlighting the need for better support systems and job opportunities.
A Giant on the Bridge features a diverse ensemble of Scottish musicians performing songs co-written by people with first-hand experience of the prison system. One standout song, Bars and Multicoloured Chairs, was written by someone nearing the end of their sentence, capturing the complex emotions associated with release. The show's power lies in its plurality of voices, which create a rich tapestry of storytelling.
Theatre-maker Hurley praises the cast for bringing their unique identities to the performance, making it an intimate and engaging experience. "It's that moment where a live performer is telling a story as themselves, and then they become the character," he says. The show has evolved over time, becoming more confident in its own shape while still retaining its sensitivity.
One of the most striking aspects of A Giant on the Bridge is its ability to tackle tough subjects like decarceration without offering simplistic answers. Instead, it provides a space for audiences to listen, feel, and sit with discomfort. As Hurley puts it, "We can't all talk at the same time, but we can all sing at the same time." The show's message is clear: we need to work together to address the complex issues surrounding homecoming.
As A Giant on the Bridge tours Scotland, it offers a unique opportunity for audiences to engage with these critical topics in a thought-provoking and emotionally charged way. Will you be singing along?