A New Musical Can't Shake Off F Scott and Zelda Fitzgerald's Flawed Legacy
F Scott Fitzgerald's doomed marriage to Zelda has captivated audiences for generations, but can a new stage show truly capture the essence of their tumultuous relationship? Unfortunately, Beautiful Little Fool, the latest attempt at bringing the iconic couple's story to life, falls short.
While director Michael Greif and composer Hannah Corneau assemble a talented cast that can belt out catchy tunes, the overall narrative remains shallow. The framing device of Zelda's daughter Scottie narrating her family's history offers some potential, but it's ultimately underutilized. As for F Scott, actor David Hunter does his best to bring out the contradictions of his husband's personality – arrogance and insecurity in equal measure.
However, the show stumbles when trying to convey the complexities of Zelda's character. Amy Parker's performance is often reduced to emotional expression, with little attention paid to the mental health struggles that defined her life. It's a missed opportunity to delve deeper into the darker aspects of their relationship.
One notable exception is the Alabama meeting in One Night in July, which showcases a tender side to F Scott and Zelda's romance. But these fleeting moments are overshadowed by the show's overreliance on pop-inspired lyrics and its hasty dismissal of critical issues like mental health. The Riviera scene, intended as a pivotal moment of confrontation between the couple, feels more like a dramatic plot device than an authentic representation of their relationship.
With a new Zelda musical in the works – The Fitzgeralds of St Paul – audiences may soon be clamoring for another show that truly does justice to this iconic American literary couple. Until then, Beautiful Little Fool remains stuck in the shallows, struggling to shake off its own flawed legacy.
F Scott Fitzgerald's doomed marriage to Zelda has captivated audiences for generations, but can a new stage show truly capture the essence of their tumultuous relationship? Unfortunately, Beautiful Little Fool, the latest attempt at bringing the iconic couple's story to life, falls short.
While director Michael Greif and composer Hannah Corneau assemble a talented cast that can belt out catchy tunes, the overall narrative remains shallow. The framing device of Zelda's daughter Scottie narrating her family's history offers some potential, but it's ultimately underutilized. As for F Scott, actor David Hunter does his best to bring out the contradictions of his husband's personality – arrogance and insecurity in equal measure.
However, the show stumbles when trying to convey the complexities of Zelda's character. Amy Parker's performance is often reduced to emotional expression, with little attention paid to the mental health struggles that defined her life. It's a missed opportunity to delve deeper into the darker aspects of their relationship.
One notable exception is the Alabama meeting in One Night in July, which showcases a tender side to F Scott and Zelda's romance. But these fleeting moments are overshadowed by the show's overreliance on pop-inspired lyrics and its hasty dismissal of critical issues like mental health. The Riviera scene, intended as a pivotal moment of confrontation between the couple, feels more like a dramatic plot device than an authentic representation of their relationship.
With a new Zelda musical in the works – The Fitzgeralds of St Paul – audiences may soon be clamoring for another show that truly does justice to this iconic American literary couple. Until then, Beautiful Little Fool remains stuck in the shallows, struggling to shake off its own flawed legacy.