A Rare Glimpse into Victorian-Era Diversity: Maclise's Anatomical Drawings
The recently opened Beneath the Sheets: Anatomy, Art and Power exhibition at Thackray Museum of Medicine in Leeds is set to challenge traditional notions of history by showcasing the work of Joseph Maclise, a surgeon and artist who broke ground with his anatomical drawings that centered on black bodies and explored queer desire during the Victorian era.
Maclise's 1851 atlas Surgical Anatomy features intricate and delicate drawings that not only provided detailed illustrations of human anatomy but also included small details such as scars, blemishes, and ear piercings. The artist's use of living models from the streets of London and Paris allowed him to create idealized visions of the human body while still incorporating real-life imperfections.
One of the most striking aspects of Maclise's work is his consistent depiction of genitalia in his drawings, even when the subject was unrelated to that area. This has led some historians to speculate about Maclise's sexuality, with one describing his work as a "catalogue of irrelevant penises." However, there is currently no conclusive evidence to support this theory.
Maclise's anatomical drawings were not only groundbreaking in terms of their representation of diversity but also significant for their exploration of queer desire. The exhibition, which runs until June 27, features over 200 artworks that showcase the intersectionality of art and anatomy during a time when these disciplines were still largely dominated by men.
The exhibition also delves into the history of female bodies in medical illustration, highlighting the case of Mary Paterson, whose body was sold for study after being victimized by serial killers Burke and Hare. Her preserved beauty sparked fascination among medical professionals, raising important questions about class, violence, and the male gaze.
Furthermore, Maclise's work is juxtaposed with earlier examples such as Charles Estienne's 1545 book De Dissectione Partium Corporis Humani Libri Tres and Andreas Vesalius's groundbreaking 1543 publication De Humani Corporis Fabrica. These works demonstrate the evolution of anatomical illustration from early, often gruesome depictions to more detailed and nuanced representations.
Beneath the Sheets: Anatomy, Art and Power offers a fresh perspective on history by shedding light on previously overlooked or marginalized voices. The exhibition runs until June 27 at Thackray Museum of Medicine in Leeds, serving as a powerful reminder of the importance of representation and diversity in art and science.
The recently opened Beneath the Sheets: Anatomy, Art and Power exhibition at Thackray Museum of Medicine in Leeds is set to challenge traditional notions of history by showcasing the work of Joseph Maclise, a surgeon and artist who broke ground with his anatomical drawings that centered on black bodies and explored queer desire during the Victorian era.
Maclise's 1851 atlas Surgical Anatomy features intricate and delicate drawings that not only provided detailed illustrations of human anatomy but also included small details such as scars, blemishes, and ear piercings. The artist's use of living models from the streets of London and Paris allowed him to create idealized visions of the human body while still incorporating real-life imperfections.
One of the most striking aspects of Maclise's work is his consistent depiction of genitalia in his drawings, even when the subject was unrelated to that area. This has led some historians to speculate about Maclise's sexuality, with one describing his work as a "catalogue of irrelevant penises." However, there is currently no conclusive evidence to support this theory.
Maclise's anatomical drawings were not only groundbreaking in terms of their representation of diversity but also significant for their exploration of queer desire. The exhibition, which runs until June 27, features over 200 artworks that showcase the intersectionality of art and anatomy during a time when these disciplines were still largely dominated by men.
The exhibition also delves into the history of female bodies in medical illustration, highlighting the case of Mary Paterson, whose body was sold for study after being victimized by serial killers Burke and Hare. Her preserved beauty sparked fascination among medical professionals, raising important questions about class, violence, and the male gaze.
Furthermore, Maclise's work is juxtaposed with earlier examples such as Charles Estienne's 1545 book De Dissectione Partium Corporis Humani Libri Tres and Andreas Vesalius's groundbreaking 1543 publication De Humani Corporis Fabrica. These works demonstrate the evolution of anatomical illustration from early, often gruesome depictions to more detailed and nuanced representations.
Beneath the Sheets: Anatomy, Art and Power offers a fresh perspective on history by shedding light on previously overlooked or marginalized voices. The exhibition runs until June 27 at Thackray Museum of Medicine in Leeds, serving as a powerful reminder of the importance of representation and diversity in art and science.