I'm lovin' this new rendition of the English song cycle! It's like Roderick Williams is tryin' to outdo Schubert himself

, and I gotta say, he's comin' pretty close. The way he's curated the playlist, it's like he's challengin' our perceptions of what a song cycle should be. And let's be real, who doesn't love a good underdog story? Williams is definitely showin' that with his own unique take on the genre.
Now, I know some people might say it's a bit too melancholy, that he's leanin' too hard into the long-lost loves vibe

. But I think that's what makes it so compelling. It's like he's shakin' things up and makin' us feel all the feels. And have you heard Britten's Midnight on the Great Western? That's some next-level stuff! The way Williams is bringin' out the drama, it's like a mini-political debate in there

.
And let's not forget about Christopher Glynn's piano playin', that's like the ultimate coalition builder


. They're workin' together like a well-oiled machine, creatin' somethin' truly special. It's like they're sayin', "Hey, we might have different ideologies, but when it comes to music, let's put our differences aside and just make some beautiful noise."
