Broadway star Levi Kreis takes on his own life story in the semi-autobiographical musical 'Already Perfect', confronting his demons and seeking peace with himself. Through a series of emotional and intense performances, Kreis embodies a version of himself, who grapples with addiction, rejection, and self-discovery.
The show's narrative jumps between different stages of Kreis' life, from a tumultuous adolescence marked by conversion therapy and self-hatred to the darker side of adulthood, where he struggles with crystal meth and toxic relationships. Along the way, an older, wiser version of Kreis helps his younger self navigate the complexities of identity, love, and acceptance.
Kreis' performance is a powerhouse, boasting a big voice that commands attention without respite. His portrayal of the titular character's inner turmoil is both visceral and cathartic, leaving no room for doubt as to the depths of emotional pain he has endured. The show's production design, crafted by Jason Ardizzone-West, effectively transforms the dressing room into a makeshift playground, where piano chords summon lights, costumes spill from the wardrobe, and props come crashing down to emphasize the emotional intensity.
If criticism can be offered, it is that Kreis' performances sometimes feel overly explicit, with his dialogue spilling out without subtlety. The music, while rich in melody, often feels similarly on-the-nose, although its alluring rhythms and catchy hooks hold a certain mesmerizing power. Nonetheless, the overall impact of 'Already Perfect' remains undeniable, thanks to Kreis' unwavering dedication to bringing his own story to life.
Ultimately, 'Already Perfect' is a testament to the human capacity for resilience in the face of adversity, as its protagonist grapples with the complexities of identity and finds a measure of peace. While not without its flaws, this powerful musical is an unforgettable experience that will leave audiences moved and inspired.
The show's narrative jumps between different stages of Kreis' life, from a tumultuous adolescence marked by conversion therapy and self-hatred to the darker side of adulthood, where he struggles with crystal meth and toxic relationships. Along the way, an older, wiser version of Kreis helps his younger self navigate the complexities of identity, love, and acceptance.
Kreis' performance is a powerhouse, boasting a big voice that commands attention without respite. His portrayal of the titular character's inner turmoil is both visceral and cathartic, leaving no room for doubt as to the depths of emotional pain he has endured. The show's production design, crafted by Jason Ardizzone-West, effectively transforms the dressing room into a makeshift playground, where piano chords summon lights, costumes spill from the wardrobe, and props come crashing down to emphasize the emotional intensity.
If criticism can be offered, it is that Kreis' performances sometimes feel overly explicit, with his dialogue spilling out without subtlety. The music, while rich in melody, often feels similarly on-the-nose, although its alluring rhythms and catchy hooks hold a certain mesmerizing power. Nonetheless, the overall impact of 'Already Perfect' remains undeniable, thanks to Kreis' unwavering dedication to bringing his own story to life.
Ultimately, 'Already Perfect' is a testament to the human capacity for resilience in the face of adversity, as its protagonist grapples with the complexities of identity and finds a measure of peace. While not without its flaws, this powerful musical is an unforgettable experience that will leave audiences moved and inspired.