Éanna Hardwicke still remembers the intensity of Ireland's reaction to Roy Keane's infamous outburst on the team bus during the 2002 World Cup. Even now, a quarter of a century later, he senses that some people are still grappling with the fallout.
The 17-year-old Hardwicke was just starting his acting career when Saipan came along, and though he doesn't recall the actual events, he understands the significance of what happened. The Irish squad's pre-tournament trip to Saipan turned into a media fiasco after Keane clashed with manager Mick McCarthy, prompting one of the most infamous press conferences in history.
Hardwicke says that playing Roy Keane was "internal" for him - he had to tap into his own stubbornness and refusal to change. The actor believes this quality is essential for anyone who becomes a leader or an icon. He also acknowledges the controversy surrounding Keane's behavior, with some questioning whether his actions were justified.
Hardwicke comes from a family where Roy Keane is a significant figure, particularly in Cork, where he's celebrated as a local hero. The actor had always admired Keane's drive and ambition but admits that doing the film only made him appreciate these qualities even more.
While working on Saipan, Hardwicke was struck by how much pathos surrounds the story of sportsmen striving for excellence. He feels a deeper connection to this ethos now than he did back then, possibly because it aligns with his own desire to do work that is meaningful and impactful.
As for playing Christy Mahon in John Millington Synge's The Playboy of the Western World at the National Theatre, Hardwicke recognizes the challenges in bringing a classic character like this to life. He notes how audiences reacted to the original production 110 years ago - some were outraged by its depiction of drinking and promiscuity, while others saw it as a crime against Ireland.
Hardwicke believes that today's Irish artists have more confidence than ever before, using their platforms to express themselves freely without fear of reprisal. He attributes this renewed sense of self-assurance to Ireland having a unified voice - most notably in its support for the people of Gaza.
While some may still harbor misconceptions about The Playboy or Keane's behavior, Hardwicke believes that modern Irish culture has moved on from past criticisms and is now embracing itself as a whole. There's a sense of empowerment among Irish artists, which he thinks stems from centuries of cultural suppression and oppression.
The 17-year-old Hardwicke was just starting his acting career when Saipan came along, and though he doesn't recall the actual events, he understands the significance of what happened. The Irish squad's pre-tournament trip to Saipan turned into a media fiasco after Keane clashed with manager Mick McCarthy, prompting one of the most infamous press conferences in history.
Hardwicke says that playing Roy Keane was "internal" for him - he had to tap into his own stubbornness and refusal to change. The actor believes this quality is essential for anyone who becomes a leader or an icon. He also acknowledges the controversy surrounding Keane's behavior, with some questioning whether his actions were justified.
Hardwicke comes from a family where Roy Keane is a significant figure, particularly in Cork, where he's celebrated as a local hero. The actor had always admired Keane's drive and ambition but admits that doing the film only made him appreciate these qualities even more.
While working on Saipan, Hardwicke was struck by how much pathos surrounds the story of sportsmen striving for excellence. He feels a deeper connection to this ethos now than he did back then, possibly because it aligns with his own desire to do work that is meaningful and impactful.
As for playing Christy Mahon in John Millington Synge's The Playboy of the Western World at the National Theatre, Hardwicke recognizes the challenges in bringing a classic character like this to life. He notes how audiences reacted to the original production 110 years ago - some were outraged by its depiction of drinking and promiscuity, while others saw it as a crime against Ireland.
Hardwicke believes that today's Irish artists have more confidence than ever before, using their platforms to express themselves freely without fear of reprisal. He attributes this renewed sense of self-assurance to Ireland having a unified voice - most notably in its support for the people of Gaza.
While some may still harbor misconceptions about The Playboy or Keane's behavior, Hardwicke believes that modern Irish culture has moved on from past criticisms and is now embracing itself as a whole. There's a sense of empowerment among Irish artists, which he thinks stems from centuries of cultural suppression and oppression.