Washington National Opera to Leave Kennedy Center Amid Financial Constraints and Trump Administration's Impact
The Washington National Opera has announced its decision to end its affiliation with the John F. Kennedy Center for the Performing Arts, citing financial constraints imposed by President Donald Trump's administration.
According to the opera company, Mr. Trump's takeover of the venue led to a significant change in its business model, which is "incompatible with our operations." The new model requires productions to be fully funded in advance, but the opera relies on grants and donations that cannot be secured years in advance.
"Parting ways will provide us with the flexibility and funds to bring in operas from around the world and across the U.S.," said Ric Grenell, a Trump aide serving as the Center's interim executive director. However, this move is seen by some as an attempt to circumvent financial constraints imposed on the venue.
The opera company has been struggling financially since Mr. Trump's administration took over the Kennedy Center. The venue hosts over 2,200 performances and events annually but reportedly operates at a deficit. Health and Human Services Secretary Robert F. Kennedy Jr. expressed his lack of interest in commenting on the name change to the Kennedy Center, stating that he has "bigger fish to fry."
The opera's decision to leave the Kennedy Center comes amid controversy over Mr. Trump's involvement with the venue. The building's exterior and website now refer to it as the Trump Kennedy Center, despite Congress still officially calling it the John F. Kennedy Center for the Performing Arts.
Artists such as Lin-Manuel Miranda and Peter Wolf have also canceled events at the Kennedy Center since Mr. Trump took over, citing a change in business model that is incompatible with their operations. The opera company's decision to leave the venue is seen by some as an attempt to avoid the financial constraints imposed on the Kennedy Center.
Francesca Zambello, the Washington National Opera's artistic director, vowed to continue offering a variety of shows at the Kennedy Center, including works from famous composers like Mozart and Verdi. Despite this, her company has decided to leave the venue due to the new business model that is "incompatible with our operations."
The Washington National Opera has announced its decision to end its affiliation with the John F. Kennedy Center for the Performing Arts, citing financial constraints imposed by President Donald Trump's administration.
According to the opera company, Mr. Trump's takeover of the venue led to a significant change in its business model, which is "incompatible with our operations." The new model requires productions to be fully funded in advance, but the opera relies on grants and donations that cannot be secured years in advance.
"Parting ways will provide us with the flexibility and funds to bring in operas from around the world and across the U.S.," said Ric Grenell, a Trump aide serving as the Center's interim executive director. However, this move is seen by some as an attempt to circumvent financial constraints imposed on the venue.
The opera company has been struggling financially since Mr. Trump's administration took over the Kennedy Center. The venue hosts over 2,200 performances and events annually but reportedly operates at a deficit. Health and Human Services Secretary Robert F. Kennedy Jr. expressed his lack of interest in commenting on the name change to the Kennedy Center, stating that he has "bigger fish to fry."
The opera's decision to leave the Kennedy Center comes amid controversy over Mr. Trump's involvement with the venue. The building's exterior and website now refer to it as the Trump Kennedy Center, despite Congress still officially calling it the John F. Kennedy Center for the Performing Arts.
Artists such as Lin-Manuel Miranda and Peter Wolf have also canceled events at the Kennedy Center since Mr. Trump took over, citing a change in business model that is incompatible with their operations. The opera company's decision to leave the venue is seen by some as an attempt to avoid the financial constraints imposed on the Kennedy Center.
Francesca Zambello, the Washington National Opera's artistic director, vowed to continue offering a variety of shows at the Kennedy Center, including works from famous composers like Mozart and Verdi. Despite this, her company has decided to leave the venue due to the new business model that is "incompatible with our operations."