Dan Cruickshank's 'The English House' sheds new light on eight remarkable homes across England, from Northumberland to Sussex. This engaging book is part architectural tour, part social history, as Cruickshank delves into the lives of those who commissioned and built these dwellings.
While traditional histories often focus on aristocrats and royalty, Cruickshank flips this script by exploring the homes of commoners. By examining building accounts, records of tradesmen, and even letters between occupants, he reconstructs the stories behind each property. At times, this involves piecing together sparse evidence, but his thoroughness pays off in fascinating glimpses into lives long past.
Cruickshank's interest lies not just in the physical structures themselves, but in the people who lived within them. He reveals a surprising array of personalities and conflicts, from disputes over design choices to tales of infidelity and scandal. His own discomfort with certain discoveries – such as a letter hinting at the adult nature of toys sold in 18th-century Covent Garden – only serves to underscore the richness of these stories.
The book also explores broader themes, including the rise of modernism, the role of immigration, and the emergence of council housing. Cruickshank's keen eye for architectural influence is on full display as he navigates the shifting styles and influences that shaped British domestic architecture over two centuries.
Throughout his journey, Cruickshank proves to be a thoughtful and empathetic guide, coaxing the stories from these largely forgotten homes. While some sections may feel dry – particularly when confronted with dense builder's records – this is more than compensated for by the rich tapestry of human experience on display. By exploring 'The English House', readers are invited to step into the lives of people long past, and discover the complex histories that underpin our own domestic landscapes.
While traditional histories often focus on aristocrats and royalty, Cruickshank flips this script by exploring the homes of commoners. By examining building accounts, records of tradesmen, and even letters between occupants, he reconstructs the stories behind each property. At times, this involves piecing together sparse evidence, but his thoroughness pays off in fascinating glimpses into lives long past.
Cruickshank's interest lies not just in the physical structures themselves, but in the people who lived within them. He reveals a surprising array of personalities and conflicts, from disputes over design choices to tales of infidelity and scandal. His own discomfort with certain discoveries – such as a letter hinting at the adult nature of toys sold in 18th-century Covent Garden – only serves to underscore the richness of these stories.
The book also explores broader themes, including the rise of modernism, the role of immigration, and the emergence of council housing. Cruickshank's keen eye for architectural influence is on full display as he navigates the shifting styles and influences that shaped British domestic architecture over two centuries.
Throughout his journey, Cruickshank proves to be a thoughtful and empathetic guide, coaxing the stories from these largely forgotten homes. While some sections may feel dry – particularly when confronted with dense builder's records – this is more than compensated for by the rich tapestry of human experience on display. By exploring 'The English House', readers are invited to step into the lives of people long past, and discover the complex histories that underpin our own domestic landscapes.