The Bed Trick: A Tale of Deception and Identity
In September 2015, Gayle Newland stood trial for sex by deception, accused of creating an online alter-ego as a man named Kye Fortune to lure another woman into a sexual relationship. The case took a bizarre turn when the woman discovered her male lover was actually her female friend, sparking widespread attention and ridicule.
Literary critics have long recognized the "bed trick" - a plot device that involves deception and sex by trickery under cover of darkness - in folk stories, operas, and works by Chaucer and Shakespeare. However, when it reappeared in 2015, Scott writes, it was a stark reminder of the ongoing struggle to navigate complex issues of identity, consent, and power.
Newland claimed she had invented Kye as a way to express her inadmissible sexuality, but Miss X disputed this narrative, saying she was lured into a romance by a handsome young man on Facebook who repeatedly postponed physical encounters due to outlandish claims of illness. The case became a "storytelling contest" in the courtroom, with one person lying and the other telling the truth.
The trial exposed the private lives of both participants to ridicule, highlighting the challenges of prosecuting rape cases. UK law is based on outdated attitudes towards women's sexuality, making it difficult for victims to seek justice. The case also shed light on the complexities of "gender fraud," a concept that has emerged in recent years, particularly among trans individuals.
Scott, a lesbian herself, brings a nuanced and agile approach to this complex terrain, scrutinizing unusual objects and challenging the binary vision of truth and lies. She sheds light on how the court's perception of gender collisions with more complicated narratives around queerness and identity.
In September 2015, Gayle Newland stood trial for sex by deception, accused of creating an online alter-ego as a man named Kye Fortune to lure another woman into a sexual relationship. The case took a bizarre turn when the woman discovered her male lover was actually her female friend, sparking widespread attention and ridicule.
Literary critics have long recognized the "bed trick" - a plot device that involves deception and sex by trickery under cover of darkness - in folk stories, operas, and works by Chaucer and Shakespeare. However, when it reappeared in 2015, Scott writes, it was a stark reminder of the ongoing struggle to navigate complex issues of identity, consent, and power.
Newland claimed she had invented Kye as a way to express her inadmissible sexuality, but Miss X disputed this narrative, saying she was lured into a romance by a handsome young man on Facebook who repeatedly postponed physical encounters due to outlandish claims of illness. The case became a "storytelling contest" in the courtroom, with one person lying and the other telling the truth.
The trial exposed the private lives of both participants to ridicule, highlighting the challenges of prosecuting rape cases. UK law is based on outdated attitudes towards women's sexuality, making it difficult for victims to seek justice. The case also shed light on the complexities of "gender fraud," a concept that has emerged in recent years, particularly among trans individuals.
Scott, a lesbian herself, brings a nuanced and agile approach to this complex terrain, scrutinizing unusual objects and challenging the binary vision of truth and lies. She sheds light on how the court's perception of gender collisions with more complicated narratives around queerness and identity.