The world of artist Joseph Yaeger is one of unflinching honesty and raw emotion. His latest exhibition, 'Polygrapher', at the prestigious London gallery Modern Art, promises to be a deeply unsettling experience, inviting viewers into a dreamworld of sex, lies, and the complexities of human nature.
Yaeger's fascination with the polygraph, a device meant to measure deception, is evident in his new body of work. Each painting is accompanied by a transcript from a fictional polygraph test, where Yaeger's answers reveal a tangled web of desires, fears, and memories. These narratives are deeply personal, drawing on the artist's own Catholic upbringing and his relationship with his daughter.
The paintings themselves are monumental in scale, dominated by vibrant colours and textures that evoke the raw intensity of human emotions. Yet, upon closer inspection, cracks and pockmarks reveal the fragility beneath the surface. It is as if Yaeger has captured the imperfections of memory itself – how our recollections can be distorted, incomplete, or even outright false.
One cannot help but feel a sense of voyeurism in gazing upon these works, which seem to hold secrets within their surfaces. The fragments of pistachio shells and dust from the studio floor have become integral to the paintings, binding the past to the present in an unsettling way.
Throughout his practice, Yaeger has demonstrated an unwavering commitment to his artistic vision, sacrificing years of sleep and solitude to create works that are as captivating as they are disturbing. His Catholic upbringing has instilled a sense of penitence in his art, where hours spent battling watercolour and gesso reveal the impermanence of even our most cherished creations.
Ultimately, 'Polygrapher' is an exhibition about the darkness that lurks within us all – the parts we hide from others and ourselves. In Yaeger's hands, this darkness has become a source of beauty and catharsis, one that invites us to confront the complexity of human nature.
Yaeger's fascination with the polygraph, a device meant to measure deception, is evident in his new body of work. Each painting is accompanied by a transcript from a fictional polygraph test, where Yaeger's answers reveal a tangled web of desires, fears, and memories. These narratives are deeply personal, drawing on the artist's own Catholic upbringing and his relationship with his daughter.
The paintings themselves are monumental in scale, dominated by vibrant colours and textures that evoke the raw intensity of human emotions. Yet, upon closer inspection, cracks and pockmarks reveal the fragility beneath the surface. It is as if Yaeger has captured the imperfections of memory itself – how our recollections can be distorted, incomplete, or even outright false.
One cannot help but feel a sense of voyeurism in gazing upon these works, which seem to hold secrets within their surfaces. The fragments of pistachio shells and dust from the studio floor have become integral to the paintings, binding the past to the present in an unsettling way.
Throughout his practice, Yaeger has demonstrated an unwavering commitment to his artistic vision, sacrificing years of sleep and solitude to create works that are as captivating as they are disturbing. His Catholic upbringing has instilled a sense of penitence in his art, where hours spent battling watercolour and gesso reveal the impermanence of even our most cherished creations.
Ultimately, 'Polygrapher' is an exhibition about the darkness that lurks within us all – the parts we hide from others and ourselves. In Yaeger's hands, this darkness has become a source of beauty and catharsis, one that invites us to confront the complexity of human nature.