Sadiq Ali's 'Tell Me' is a powerful and poignant tale that delves into the dark underbelly of the 1980s AIDS crisis, where fear, shame, and stigma reigned supreme. The show follows Phoebe Knight, a woman diagnosed with HIV, as she navigates a world that shuns her outcasts. Ali's masterful creation skillfully weaves together themes of friendship, revelry, and nightlife, only to confront the characters with their inner demons in a heart-wrenching climax.
With its innovative use of music, sound design, set, text, and dance, 'Tell Me' is a triumph of theatrical storytelling. The clever cube-shaped frames that double as poles and trapezes create an immersive experience for the audience, drawing them into Phoebe's world. Ali's performance, particularly in his iconic costume featuring horns and knee-high PVC platforms, adds to the show's raw emotion and unapologetic sensuality.
However, it is in its exploration of love, support, and acceptance that 'Tell Me' truly shines. The show's poignant intimate moments serve as a testament to the power of human connection in the face of adversity. Ali's decision to keep himself out of the spotlight, allowing Phoebe Knight to take center stage, is a masterstroke, underscoring the importance of marginalized voices and experiences.
If there is a criticism to be made, it lies in the show's uneven pacing during its second half. The introduction of the devilish minotaur creature feels like a jarring departure from the sharp theatrical choices that preceded it. Nevertheless, 'Tell Me' remains an exceptional piece of theatre, one that leaves a lasting impact on the audience.
As Sadiq Ali himself notes, advances in medicine saved his life in 2025 – but it is this very same medical progress that allows us to confront the AIDS crisis with a renewed sense of urgency. 'Tell Me' serves as a poignant reminder of the long road to acceptance and understanding that still lies ahead, but also of the power of art to bring people together in the face of adversity.
With its innovative use of music, sound design, set, text, and dance, 'Tell Me' is a triumph of theatrical storytelling. The clever cube-shaped frames that double as poles and trapezes create an immersive experience for the audience, drawing them into Phoebe's world. Ali's performance, particularly in his iconic costume featuring horns and knee-high PVC platforms, adds to the show's raw emotion and unapologetic sensuality.
However, it is in its exploration of love, support, and acceptance that 'Tell Me' truly shines. The show's poignant intimate moments serve as a testament to the power of human connection in the face of adversity. Ali's decision to keep himself out of the spotlight, allowing Phoebe Knight to take center stage, is a masterstroke, underscoring the importance of marginalized voices and experiences.
If there is a criticism to be made, it lies in the show's uneven pacing during its second half. The introduction of the devilish minotaur creature feels like a jarring departure from the sharp theatrical choices that preceded it. Nevertheless, 'Tell Me' remains an exceptional piece of theatre, one that leaves a lasting impact on the audience.
As Sadiq Ali himself notes, advances in medicine saved his life in 2025 – but it is this very same medical progress that allows us to confront the AIDS crisis with a renewed sense of urgency. 'Tell Me' serves as a poignant reminder of the long road to acceptance and understanding that still lies ahead, but also of the power of art to bring people together in the face of adversity.