Decca's latest release, "Radu Lupu: The Unreleased Recordings," is an aural treasure trove that not only deepens our understanding of the late pianist's remarkable repertoire but also underscores his extraordinary artistry.
The set begins with two Mozart piano quartets from 1976, featuring the Tel Aviv String Quartet. These performances showcase Lupu's ability to convey intensity and lyricism, making them all the more surprising that they have never been released before. In stark contrast, Lupu's rendition of Schubert's D840 sonata is a fascinating study in contrasts – a dramatic, tempestuous take on music often characterized as beautiful but complex.
The inclusion of the D major D850 sonata is particularly noteworthy, given its relatively little-known status in the Lupu canon. A sequence that sees Lupu tackle Haydn and Mozart sonatas alongside Schumann's Études Symphoniques adds a welcome sense of variety to this collection. The latter work, in particular, stands out for its intriguing, almost dissonant approach, which seems almost as if it were written by someone else.
Another aspect of the release is the opportunity to hear Lupu tackle music that lies outside his more familiar repertoire, such as Chopin and Bartók. His rendition of the B minor Scherzo remains vivid and captivating, even if its technical precision is occasionally compromised. The Barótk suite he recorded for the Leeds International Piano Competition in 1969 continues to demonstrate Lupu's mastery of modernist music.
The highlight of the release comes with Mussorgsky's Pictures at an Exhibition. Although Lupu is not often associated with Russian repertoire, his 1984 Dutch broadcast performance showcases a raw intensity and a level of expressiveness that makes it compelling listening.
What emerges from this collection, then, is a sense of wonder at Lupu's extraordinary artistry and the many facets to his playing style. "Radu Lupu: The Unreleased Recordings" serves as an essential reminder of the depth of talent he possessed – and how lucky we are to have been able to hear him perform even when it seemed like he was being particularly restrained, or even raw.
The set begins with two Mozart piano quartets from 1976, featuring the Tel Aviv String Quartet. These performances showcase Lupu's ability to convey intensity and lyricism, making them all the more surprising that they have never been released before. In stark contrast, Lupu's rendition of Schubert's D840 sonata is a fascinating study in contrasts – a dramatic, tempestuous take on music often characterized as beautiful but complex.
The inclusion of the D major D850 sonata is particularly noteworthy, given its relatively little-known status in the Lupu canon. A sequence that sees Lupu tackle Haydn and Mozart sonatas alongside Schumann's Études Symphoniques adds a welcome sense of variety to this collection. The latter work, in particular, stands out for its intriguing, almost dissonant approach, which seems almost as if it were written by someone else.
Another aspect of the release is the opportunity to hear Lupu tackle music that lies outside his more familiar repertoire, such as Chopin and Bartók. His rendition of the B minor Scherzo remains vivid and captivating, even if its technical precision is occasionally compromised. The Barótk suite he recorded for the Leeds International Piano Competition in 1969 continues to demonstrate Lupu's mastery of modernist music.
The highlight of the release comes with Mussorgsky's Pictures at an Exhibition. Although Lupu is not often associated with Russian repertoire, his 1984 Dutch broadcast performance showcases a raw intensity and a level of expressiveness that makes it compelling listening.
What emerges from this collection, then, is a sense of wonder at Lupu's extraordinary artistry and the many facets to his playing style. "Radu Lupu: The Unreleased Recordings" serves as an essential reminder of the depth of talent he possessed – and how lucky we are to have been able to hear him perform even when it seemed like he was being particularly restrained, or even raw.