Malmaison Hotels Become Wedding Day Drama Scene
A wedding, like all family dramas, is a mess of emotions, tantrums, and tears - it seems nothing short of normal for the perfect day. Daphna Attias and Terry O'Donovan's site-specific play "I Do", which has been reprised at several Malmaison hotels, including this one in London as part of the Barbican's Scene Change season, brings that emotional chaos to life.
Audience members are divided into groups and take turns between six rooms, each capturing a different moment before Georgie (Carla Langley) and Tunde (Dauda Ladejobi)'s wedding ceremony begins. Initially, it seems like an exercise in voyeurism - the usual wedding day tropes abound: bridesmaids dancing on beds, secretive trysts and "call off the wedding" nerves for the bride and groom.
However, as the story progresses, the scenes become increasingly moving and intimate, revealing deep-seated anguish and insecurity. The set design by Jenny Hayton perfectly captures the contrast between the sterile hotel environment and the personal lives of its guests.
Each room brings a new scenario - from an awkward encounter between Georgie's mother, Helen (Johanne Murdock), and her unfaithful ex-husband David (Jonathan McGuinness) to a heartwarming moment of same-sex passion involving the groom. The performances are searing and the direction by Attias is flawless.
The story unfolds gradually, with each room leading seamlessly into the next as the audience pieces together the drama themselves. Even the return of a cleaner, who travels through the corridors in reverse, brings an element of surreal charm to the proceedings.
By the end, almost every character has won you over - it's big, heart-wrenching, ridiculous and wonderful just like any wedding day. "I Do" is an unforgettable experience that will leave you breathless and eager for more.
A wedding, like all family dramas, is a mess of emotions, tantrums, and tears - it seems nothing short of normal for the perfect day. Daphna Attias and Terry O'Donovan's site-specific play "I Do", which has been reprised at several Malmaison hotels, including this one in London as part of the Barbican's Scene Change season, brings that emotional chaos to life.
Audience members are divided into groups and take turns between six rooms, each capturing a different moment before Georgie (Carla Langley) and Tunde (Dauda Ladejobi)'s wedding ceremony begins. Initially, it seems like an exercise in voyeurism - the usual wedding day tropes abound: bridesmaids dancing on beds, secretive trysts and "call off the wedding" nerves for the bride and groom.
However, as the story progresses, the scenes become increasingly moving and intimate, revealing deep-seated anguish and insecurity. The set design by Jenny Hayton perfectly captures the contrast between the sterile hotel environment and the personal lives of its guests.
Each room brings a new scenario - from an awkward encounter between Georgie's mother, Helen (Johanne Murdock), and her unfaithful ex-husband David (Jonathan McGuinness) to a heartwarming moment of same-sex passion involving the groom. The performances are searing and the direction by Attias is flawless.
The story unfolds gradually, with each room leading seamlessly into the next as the audience pieces together the drama themselves. Even the return of a cleaner, who travels through the corridors in reverse, brings an element of surreal charm to the proceedings.
By the end, almost every character has won you over - it's big, heart-wrenching, ridiculous and wonderful just like any wedding day. "I Do" is an unforgettable experience that will leave you breathless and eager for more.