Syria's post-Assad landscape is marked by a cultural flux that has left many businesses struggling to adapt. The collapse of the Assad regime has led to a re-evaluation of symbols and culture, as statues of Hafez al-Assad have been toppled and portraits of Bashar al-Assad's family are now scarce.
The shift has also affected the tourism industry, with old-regime merchandise being rapidly phased out in favor of new products showcasing the Syrian flag or revolutionary slogans. However, business is slow, with many tourists and travelers no longer visiting the country due to security concerns.
In Tartous, a coastal city, one entrepreneur, Abou Ali, had to dispose of his old stock of regime wares after the toppling of Assad's regime. His shop now sells new merchandise, but he expresses frustration over the lack of security and slow pace of change.
Meanwhile, Shadi Jarjour, owner of the Jarjour winery, is facing uncertainty due to a lack of clear laws regarding alcohol sales in Syria. Despite receiving assurances from authorities that his business would be allowed to continue, Jarjour remains anxious about the future, as he cannot sell wine without proper licensing.
The post-Assad era has also brought about a re-evaluation of cultural expression and texture, with some Syrians initially reverting to old habits, such as replacing portraits of Assad with images of Ahmad al-Sharaa. However, authorities have since banned such displays, leaving the boundaries of expression unclear.
Despite these challenges, Jarjour remains optimistic, hoping to expand his winery's market within Syria and eventually export globally. The future is uncertain, but Jarjour believes that new laws will soon be published, allowing him to return to work and establish a global brand representing his country.
The shift has also affected the tourism industry, with old-regime merchandise being rapidly phased out in favor of new products showcasing the Syrian flag or revolutionary slogans. However, business is slow, with many tourists and travelers no longer visiting the country due to security concerns.
In Tartous, a coastal city, one entrepreneur, Abou Ali, had to dispose of his old stock of regime wares after the toppling of Assad's regime. His shop now sells new merchandise, but he expresses frustration over the lack of security and slow pace of change.
Meanwhile, Shadi Jarjour, owner of the Jarjour winery, is facing uncertainty due to a lack of clear laws regarding alcohol sales in Syria. Despite receiving assurances from authorities that his business would be allowed to continue, Jarjour remains anxious about the future, as he cannot sell wine without proper licensing.
The post-Assad era has also brought about a re-evaluation of cultural expression and texture, with some Syrians initially reverting to old habits, such as replacing portraits of Assad with images of Ahmad al-Sharaa. However, authorities have since banned such displays, leaving the boundaries of expression unclear.
Despite these challenges, Jarjour remains optimistic, hoping to expand his winery's market within Syria and eventually export globally. The future is uncertain, but Jarjour believes that new laws will soon be published, allowing him to return to work and establish a global brand representing his country.