The often-overlooked female architects have been quietly building iconic structures that reflect their unique perspectives and experiences. From Oscar Niemeyer's bold Brazilian modernism to Lina Bo Bardi's distinctive Italian-inspired designs in Brazil, women have made significant contributions to the field of architecture.
Take, for example, the 16-sided A la Ronde house in Exmouth, Devon, designed by Jane and Mary Parminter and John Lowder in 1796. This remarkable cottage orné is a testament to the sisters' travels and inspirations, including their visit to the Basilica of San Vitale in Ravenna, Italy.
Fast forward to the present day, where the Royal Institute of British Architects (RIBA) has revealed that women are facing stark challenges in the profession. The RIBA's report highlights instances of sexism, unequal pay, and power imbalances that are pushing women out of the industry. Dr Valerie Vaughan-Dick, CEO of the RIBA, describes the findings as "uncomfortable reading."
However, there are many talented female architects who have made significant contributions to the field. Liz Diller's work is a prime example, with her designs showcasing community-focused and collaborative approaches. Her High Line in New York City and Broad Museum in Los Angeles are exemplary of this approach.
Denys Lasdun, on the other hand, challenges the notion that unadorned concrete or clean lines are inherently "male." His architecture, like that of Mies van der Rohe, is characterized by structural clarity rather than any inherent masculinity.
The omission of women's contributions in architectural history is also a pressing issue. Take the case of Eileen Gray, whose iconic E-1027 house was vandalized by Le Corbusier himself. Similarly, the exclusion of Denise Scott Brown from the 1991 Pritzker Prize has sparked controversy.
As the architecture industry continues to evolve, it's essential that women's contributions are recognized and valued. The gradual culture shift within the field is a testament to the importance of teamwork, better dialogue with clients, and considerations of inclusivity.
The success of women in other industries, such as flexible and remote working, mentorship programs, hiring reforms, and changing networking events, can serve as a model for architecture. By building on these advancements, the industry can continue to attract and retain talented female architects who bring unique perspectives and experiences to their designs.
Ultimately, the achievements of female architects are not diminished by their sex; rather, they are amplified by their ability to reflect the lived experience of half of the human population. As we move forward, it's essential that the architecture industry prioritizes inclusivity, creativity, and collaboration – values that are already being embodied by some of its most talented female practitioners.
Take, for example, the 16-sided A la Ronde house in Exmouth, Devon, designed by Jane and Mary Parminter and John Lowder in 1796. This remarkable cottage orné is a testament to the sisters' travels and inspirations, including their visit to the Basilica of San Vitale in Ravenna, Italy.
Fast forward to the present day, where the Royal Institute of British Architects (RIBA) has revealed that women are facing stark challenges in the profession. The RIBA's report highlights instances of sexism, unequal pay, and power imbalances that are pushing women out of the industry. Dr Valerie Vaughan-Dick, CEO of the RIBA, describes the findings as "uncomfortable reading."
However, there are many talented female architects who have made significant contributions to the field. Liz Diller's work is a prime example, with her designs showcasing community-focused and collaborative approaches. Her High Line in New York City and Broad Museum in Los Angeles are exemplary of this approach.
Denys Lasdun, on the other hand, challenges the notion that unadorned concrete or clean lines are inherently "male." His architecture, like that of Mies van der Rohe, is characterized by structural clarity rather than any inherent masculinity.
The omission of women's contributions in architectural history is also a pressing issue. Take the case of Eileen Gray, whose iconic E-1027 house was vandalized by Le Corbusier himself. Similarly, the exclusion of Denise Scott Brown from the 1991 Pritzker Prize has sparked controversy.
As the architecture industry continues to evolve, it's essential that women's contributions are recognized and valued. The gradual culture shift within the field is a testament to the importance of teamwork, better dialogue with clients, and considerations of inclusivity.
The success of women in other industries, such as flexible and remote working, mentorship programs, hiring reforms, and changing networking events, can serve as a model for architecture. By building on these advancements, the industry can continue to attract and retain talented female architects who bring unique perspectives and experiences to their designs.
Ultimately, the achievements of female architects are not diminished by their sex; rather, they are amplified by their ability to reflect the lived experience of half of the human population. As we move forward, it's essential that the architecture industry prioritizes inclusivity, creativity, and collaboration – values that are already being embodied by some of its most talented female practitioners.
... women in architecture have always been underrepresented and face so many challenges 
. It's like they're expected to be invisible or something 
. The fact that their contributions are being slowly acknowledged is a good start, but it's about time 
. I mean, can you imagine how frustrating it must be to be constantly overlooked for promotions or projects? 
. We need more women in leadership positions and mentorship programs to help level the playing field 
. But, hey, at least there are some talented females out there doing amazing work 
... like Liz Diller and Denys Lasdun 
.
. I mean, take Liz Diller for example - her work is literally inspiring stuff, and she's not alone. Women like Denys Lasdun are breaking down barriers with their unique perspectives and styles. And let's not forget about Eileen Gray, whose work has been around for decades but still hasn't gotten the respect it deserves 
. And yeah, I think flexible and remote working is a huge factor in helping women succeed in other industries - maybe architecture should follow suit 
. We need to be supporting each other and creating opportunities for talented female architects to shine in the industry 
and Liz Diller's community-focused approach is so inspiring 
as for the omission of women from architectural history, it's like we're erasing half of our collective story 
Eileen Gray's iconic E-1027 house was vandalized by Le Corbusier himself – what a travesty! 
we need to celebrate these women and their work, not just recognize them after the fact 
Just kidding, sorta. But seriously, it's crazy how often women's contributions are overlooked in architecture history. I mean, Eileen Gray was basically the OG female architect – she designed iconic buildings like the E-1027 house, but then gets vandalized by Le Corbusier? Talk about a sexist move 
. Anyway, it's time to give those talented ladies the recognition they deserve and maybe even teach some guys a thing or two about being inclusive 
.
! Like, can you even imagine if we had more iconic structures like Lina Bo Bardi's designs? 
It's crazy that women have been quietly making massive contributions without getting the recognition they deserve. I mean, who doesn't love Jane and Mary Parminter's A la Ronde house in Exmouth? 
And let's not forget about Liz Diller's community-focused approach to design – it's like her work is the ultimate proof that women can be just as good as men when it comes to architecture! 
. We need more of their stories being told and celebrated 
but come on who's surprised right? 
it's like they're still fighting for equal pay and all that drama 
but at the end of the day, they're making some sick buildings 
i mean Liz Diller's designs are straight fire 
and Denys Lasdun's concrete structures are on point too