Death threats against actress and singer Madonna were sparked by her portrayal of Argentine revolutionary leader Eva Perón in the 1996 film "Evita." Thirty years ago this week, fans who revered Perón as a national hero vehemently opposed Madonna's casting, fearing she would disrespect the memory of Eva Perón.
The controversy was fueled by some ardent supporters, including Clara Marin, who claimed that she wanted Madonna dead or alive and threatened to kill her if she didn't leave Argentina. Freddy DeMann, Madonna's manager, grew so concerned about the threats that he considered taking drastic action. Meanwhile, a congressman in Argentina wanted to introduce legislation declaring Madonna and other filmmakers involved with the movie personas non grata, essentially making them unwelcome.
However, producers and authorities were not intimidated by these threats. Instead, they stepped up security measures for Madonna and her team during their time in Buenos Aires filming "Evita." Despite concerns about potential harassment or even violence against Madonna, police focused more on protecting her from egg-throwing or verbal abuse rather than physical harm.
Madonna took a nuanced approach to understanding the complexities of Perón's legacy. While she met with Argentine fans and worked with elderly women who had connections to Eva Perón, she didn't publicly respond to or address the death threats during press conferences.
Conversely, Madonna's fans rallied in her support. A contingent of 62% of Argentines believed that Madonna was suitable for the role, saying she should have been allowed to portray Eva Perón due to her artistic talent and freedom of expression. Sandra Matos, a fan who attended one of these rallies, said: "If that lady is a Peronista and does what Evita would have done, then she should love her neighbors, and follow the example of a good woman instead of threatening Madonna."
In contrast, there were reports of raucous demonstrations and vandalism at theaters in Argentina, but ticket sales were surprisingly average. The film eventually became successful worldwide, earning several awards for its music and performance, particularly "You Must Love Me," which won an Oscar.
Madonna's portrayal of Eva Perón sparked a mix of emotions in the public. Despite concerns about respect for her legacy, Madonna's artistic vision and commitment to the project helped bridge some of these divisions and fostered a more inclusive atmosphere.
The controversy was fueled by some ardent supporters, including Clara Marin, who claimed that she wanted Madonna dead or alive and threatened to kill her if she didn't leave Argentina. Freddy DeMann, Madonna's manager, grew so concerned about the threats that he considered taking drastic action. Meanwhile, a congressman in Argentina wanted to introduce legislation declaring Madonna and other filmmakers involved with the movie personas non grata, essentially making them unwelcome.
However, producers and authorities were not intimidated by these threats. Instead, they stepped up security measures for Madonna and her team during their time in Buenos Aires filming "Evita." Despite concerns about potential harassment or even violence against Madonna, police focused more on protecting her from egg-throwing or verbal abuse rather than physical harm.
Madonna took a nuanced approach to understanding the complexities of Perón's legacy. While she met with Argentine fans and worked with elderly women who had connections to Eva Perón, she didn't publicly respond to or address the death threats during press conferences.
Conversely, Madonna's fans rallied in her support. A contingent of 62% of Argentines believed that Madonna was suitable for the role, saying she should have been allowed to portray Eva Perón due to her artistic talent and freedom of expression. Sandra Matos, a fan who attended one of these rallies, said: "If that lady is a Peronista and does what Evita would have done, then she should love her neighbors, and follow the example of a good woman instead of threatening Madonna."
In contrast, there were reports of raucous demonstrations and vandalism at theaters in Argentina, but ticket sales were surprisingly average. The film eventually became successful worldwide, earning several awards for its music and performance, particularly "You Must Love Me," which won an Oscar.
Madonna's portrayal of Eva Perón sparked a mix of emotions in the public. Despite concerns about respect for her legacy, Madonna's artistic vision and commitment to the project helped bridge some of these divisions and fostered a more inclusive atmosphere.