In a shocking departure from the final cut of "Predator: Badlands," director Dan Trachtenberg has revealed that he originally envisioned a more subdued showdown between Dek, the young Yautja, and his father Njohrr. According to animation supervisor Karl Rapley, the initial plan involved a quick and intense samurai-inspired sequence where Dek's father would turn invisible, only to be revealed by Dek throwing sand at him.
However, Trachtenberg reportedly wanted a more cinematic experience, prompting the stunt team to create an entirely new fight scene. The Wētā effects team then digitally created Yautja Prime, complete with swirling sands and treacherous terrain, using sweeping camera moves that added to the sequence's drama.
This new fight not only showcases Dek's growth as a hunter but also highlights his cunning and strategic thinking. As animation supervisor Sheldon Stopsack noted, the sandstorm element serves as a narrative point for Dek outsmarting his father, adding an extra layer of tension and excitement to the scene.
While there has been no official word on a sequel to "Predator: Badlands," fans are undoubtedly eager to see where Dek's journey will take him next. With its more polished and thrilling conclusion, it seems that Trachtenberg has successfully reimagined his vision for the film, leaving audiences eagerly anticipating what's to come.
The addition of this new fight sequence also underscores the importance of post-production in shaping a movie's overall tone and impact. By expanding on Trachtenberg's initial vision, Wētā was able to create a more immersive and engaging viewing experience that better captures the essence of the Predator franchise.
However, Trachtenberg reportedly wanted a more cinematic experience, prompting the stunt team to create an entirely new fight scene. The Wētā effects team then digitally created Yautja Prime, complete with swirling sands and treacherous terrain, using sweeping camera moves that added to the sequence's drama.
This new fight not only showcases Dek's growth as a hunter but also highlights his cunning and strategic thinking. As animation supervisor Sheldon Stopsack noted, the sandstorm element serves as a narrative point for Dek outsmarting his father, adding an extra layer of tension and excitement to the scene.
While there has been no official word on a sequel to "Predator: Badlands," fans are undoubtedly eager to see where Dek's journey will take him next. With its more polished and thrilling conclusion, it seems that Trachtenberg has successfully reimagined his vision for the film, leaving audiences eagerly anticipating what's to come.
The addition of this new fight sequence also underscores the importance of post-production in shaping a movie's overall tone and impact. By expanding on Trachtenberg's initial vision, Wētā was able to create a more immersive and engaging viewing experience that better captures the essence of the Predator franchise.
I'm so stoked about the new fight scene in "Predator: Badlands"! I mean, who wouldn't want to see Dek take down his dad Njohrr in an epic sandstorm showdown? 
It's amazing how the Wētā effects team was able to bring this vision to life and make it feel like a fully immersive experience. And I love how the animation supervisor Sheldon Stopsack highlighted how this scene showcases Dek's growth as a hunter and his cunning thinking - it's so cool to see him outsmart his dad! 
The fact that they were able to expand on Dan Trachtenberg's initial vision is really impressive, and it just goes to show how post-production can totally elevate a movie. I'm definitely rooting for Dek to take center stage in the next installment... 
, I'm so over how much CGI is being used in movies nowadays... like, can't we just have some practical effects for once? This fight scene sounds way too cheesy with all that digitally created stuff 
. And don't even get me started on Dek's growth as a hunter - it's just a predictable coming-of-age story 
. I mean, who hasn't seen this before in every other action movie out there? It's all just so... formulaic 
.
i feel kinda bad for the sandstorm sequence being cut from the final cut? i mean, it sounds like it would've been a really unique and memorable moment in the film. maybe they could've included it as a bonus feature or something?
why did Trachtenberg change his mind about the fight scene so much? i mean, isn't that what happens when you're in post-production for too long? just my two cents tho 
Anyway, glad Dek got some more screen time and showed off his hunting skills! 
The sandstorm fight is EVERYTHING - it adds this whole new level of tension & excitement! I love how Trachtenberg went from a quick samurai-inspired sequence to something way more cinematic & dramatic. And can we talk about the visuals tho? Yautja Prime looks INSANE 
. Still, credit where credit is due - it's definitely a game-changer for the movie, and I'm curious to see how Dek's character evolves from here 
! Can you even believe Dan Trachtenberg wanted Dek to just throw sand at his dad?! I mean, what even is that? 
The whole thing just screams "Predator: Badlands" – I'm so here for this movie! 
i mean, who needs an invisable dad w/just 1 throw of sand lol? 
. Trachtenberg wanted more than just a cool fight scene, he wanted Dek to grow on screen, to become the hero we've been waiting for 
. and i think that's what makes this movie so special - it's not just about the predator, it's about Dek's journey... and that's what resonates with us, you know?
i'm literally shipping dek and njohrr now lol 
anyway i'm so hyped for whatever comes next from dan trachtenberg and wētā, can we get a sequel already?!?! 
. The power of post-production is real, it makes all the difference in creating an immersive experience 
.
I need to watch it again ASAP 
! Post-production magic at its finest 
. And what's with the digital Yautja Prime? It's just a bunch of CGI effects to me 
! that new fight scene is pure gold, Dek's growth as a hunter is real 