Béla Fleck Pulls Out of Kennedy Center Performance Amid 'Charged and Political' Atmosphere
Grammy-winning banjoist Béla Fleck has joined a growing list of artists who have canceled performances at the Kennedy Center in protest of Donald Trump's takeover. The musician, scheduled to perform with the National Symphony Orchestra in February, announced on social media that he is withdrawing from the event due to concerns about the institution's newfound political leanings.
Fleck stated that performing at the Kennedy Center has become "charged and political," citing an atmosphere where the focus should be on music rather than politics. He expressed his hope to reschedule with the orchestra in the future when they can both share and celebrate art without the added burden of politics.
This cancellation comes days after Oscar-winning composer Stephen Schwartz, known for hits like Wicked, pulled out of a scheduled appearance at the Kennedy Center due to its name change to honor Trump. Schwartz stated that the institution "no longer represents the apolitical place for free artistic expression it was founded to be."
The controversy surrounding the Kennedy Center has sparked a wave of cancellations among artists in recent months. A group of musicians, including jazz musician Wayne Tucker and folk singer Kristy Lee, have opted out of performances at the center following its name change. Lin-Manuel Miranda, who had planned to revive his hit musical Hamilton, has also called off the revival due to concerns about Trump's involvement.
The first round of cancellations began in early 2025, when Trump moved to gut the Kennedy Center's board and install himself as chairman. The subsequent name change to the Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts has further fueled tensions among artists.
With many prominent figures pulling out of performances at the Kennedy Center, it remains to be seen how long this trend will continue. As one artist noted, when a venue like the Kennedy Center becomes "no longer representative" of its original purpose, it raises concerns about artistic freedom and the role of politics in public institutions.
Grammy-winning banjoist Béla Fleck has joined a growing list of artists who have canceled performances at the Kennedy Center in protest of Donald Trump's takeover. The musician, scheduled to perform with the National Symphony Orchestra in February, announced on social media that he is withdrawing from the event due to concerns about the institution's newfound political leanings.
Fleck stated that performing at the Kennedy Center has become "charged and political," citing an atmosphere where the focus should be on music rather than politics. He expressed his hope to reschedule with the orchestra in the future when they can both share and celebrate art without the added burden of politics.
This cancellation comes days after Oscar-winning composer Stephen Schwartz, known for hits like Wicked, pulled out of a scheduled appearance at the Kennedy Center due to its name change to honor Trump. Schwartz stated that the institution "no longer represents the apolitical place for free artistic expression it was founded to be."
The controversy surrounding the Kennedy Center has sparked a wave of cancellations among artists in recent months. A group of musicians, including jazz musician Wayne Tucker and folk singer Kristy Lee, have opted out of performances at the center following its name change. Lin-Manuel Miranda, who had planned to revive his hit musical Hamilton, has also called off the revival due to concerns about Trump's involvement.
The first round of cancellations began in early 2025, when Trump moved to gut the Kennedy Center's board and install himself as chairman. The subsequent name change to the Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts has further fueled tensions among artists.
With many prominent figures pulling out of performances at the Kennedy Center, it remains to be seen how long this trend will continue. As one artist noted, when a venue like the Kennedy Center becomes "no longer representative" of its original purpose, it raises concerns about artistic freedom and the role of politics in public institutions.