Candida Meyrick's latest foray into self-help literature, "Be More Bird", is an exercise in anthropomorphic navel-gazing that fails to take flight. Rather than tapping into the rich inner life of a majestic Harris hawk, Meyrick resorts to trite and overwrought aphorisms drawn from the bird's supposed musings.
In this puzzling book, Meyrick attempts to extract valuable life lessons from Bird's daily experiences, such as preferring her own prey over substitutes and coping with threats from rival birds. However, these insights are reduced to shallow maxims that offer little more than platitudes about staying true to oneself or holding one's ground. The resulting text reads like a parody of New Age motivational literature.
One can almost sense Meyrick's embarrassment as she realizes her attempts at profundity fall flat, and yet, she continues to pile on the clichéd language in an effort to salvage what little meaning remains. Phrases such as "memory is celestial" are particularly cringe-worthy, betraying a desperate attempt to imbue Bird's experiences with existential significance.
Meyrick's decision to build her book around these bird-inspired maxims may be an attempt to distance herself from more critically acclaimed works in the nature writing genre, such as Helen Macdonald's "H Is for Hawk", which explored similar themes with greater nuance and depth. Whatever her motivations, Meyrick's efforts have resulted in a book that feels contrived, plodding, and disappointingly lacking in genuine insight into the life of its avian subject.
Ultimately, Sophia Houdini White Wing – as Bird comes to be known – might offer some stern but uplifting advice to those who find themselves trapped in this kind of shallow self-help. As it stands, Meyrick's book is a skippable exercise in formulaic inspiration that fails to take wing.
In this puzzling book, Meyrick attempts to extract valuable life lessons from Bird's daily experiences, such as preferring her own prey over substitutes and coping with threats from rival birds. However, these insights are reduced to shallow maxims that offer little more than platitudes about staying true to oneself or holding one's ground. The resulting text reads like a parody of New Age motivational literature.
One can almost sense Meyrick's embarrassment as she realizes her attempts at profundity fall flat, and yet, she continues to pile on the clichéd language in an effort to salvage what little meaning remains. Phrases such as "memory is celestial" are particularly cringe-worthy, betraying a desperate attempt to imbue Bird's experiences with existential significance.
Meyrick's decision to build her book around these bird-inspired maxims may be an attempt to distance herself from more critically acclaimed works in the nature writing genre, such as Helen Macdonald's "H Is for Hawk", which explored similar themes with greater nuance and depth. Whatever her motivations, Meyrick's efforts have resulted in a book that feels contrived, plodding, and disappointingly lacking in genuine insight into the life of its avian subject.
Ultimately, Sophia Houdini White Wing – as Bird comes to be known – might offer some stern but uplifting advice to those who find themselves trapped in this kind of shallow self-help. As it stands, Meyrick's book is a skippable exercise in formulaic inspiration that fails to take wing.