For Vincenzo De Cotiis's latest exhibition "Je Marchais Pieds Nus Dans L'Étang," the Italian sculptor has taken Monet's late water lily landscapes as inspiration to reimagine a timeless masterpiece for the modern era. This new series of 50 unique pieces redefines traditional sculpture by combining materials such as cast white bronze and hand-painted Murano glass, pushing the boundaries between art and design.
De Cotiis's multi-piece spatial composition invites viewers to immerse themselves in an immersive environment where organic forms and shifting reflections evoke a contemplative sense of nature. The installation is designed to slow down one's pace and appreciate subtle changes in light and nuance, resonating especially in New York City, known for its fast-paced lifestyle.
Within this immersive space, skeletal stems reminiscent of elongated water lily legs traverse polished surfaces, creating an uncanny tension between solidity and translucence. At the same time, individual pieces are designed to carry their unique significance and identity, contributing to a collective visual language that transcends narrative and storytelling.
This work exemplifies De Cotiis's approach to materials and his fascination with how ancient idioms can merge with futuristic forms and expressions. His art brings forth an otherworldly yet beautiful aesthetic by transforming imperfection and patina into sources of beauty, suggesting crafted objects can function as both timeworn relics or visions of future worlds.
Ultimately, Vincenzo De Cotiis's sculpture dissolves the line between design and art, fostering dialogue around materiality and sculptural practice in contemporary discourse.
De Cotiis's multi-piece spatial composition invites viewers to immerse themselves in an immersive environment where organic forms and shifting reflections evoke a contemplative sense of nature. The installation is designed to slow down one's pace and appreciate subtle changes in light and nuance, resonating especially in New York City, known for its fast-paced lifestyle.
Within this immersive space, skeletal stems reminiscent of elongated water lily legs traverse polished surfaces, creating an uncanny tension between solidity and translucence. At the same time, individual pieces are designed to carry their unique significance and identity, contributing to a collective visual language that transcends narrative and storytelling.
This work exemplifies De Cotiis's approach to materials and his fascination with how ancient idioms can merge with futuristic forms and expressions. His art brings forth an otherworldly yet beautiful aesthetic by transforming imperfection and patina into sources of beauty, suggesting crafted objects can function as both timeworn relics or visions of future worlds.
Ultimately, Vincenzo De Cotiis's sculpture dissolves the line between design and art, fostering dialogue around materiality and sculptural practice in contemporary discourse.