In Ukraine's war-torn landscapes, a new wave of horror films has emerged as a means of cathartic revenge against the invading Russian army. "The Witch: Revenge" or "The Konotop Witch," directed by Andriy Kolesnyk and produced by Iryna Kostyuk, takes a unique approach to this genre - literally borrowing from the battlefield itself. Real Russian uniforms captured from soldiers were used in their production, with some still bearing names of comrades who had been killed or maimed by their counterparts.
These films aren't just mere entertainment but serve as a platform for the nation's anguish and anger towards the invading forces. Kostyuk attributes this shift to the public mood during wartime. "People wanted revenge," she says, which is reflected in the graphic violence and dark magic in these films.
Kostyuk oversees a horror universe cycle called "Heroines of the Dark Times," with her latest film, "The Dam," following a unit of Ukrainian soldiers who must face their inner fears when they uncover an abandoned Soviet laboratory where nefarious experiments took place. "The Dam" is more than just a horror movie; it's also a story about trust and camaraderie among the soldiers.
Kostyuk hopes to transcend Ukrainian borders, appealing not only to fans of the genre but also to those in the west concerned with Russian expansionism. The war has taken an ominous turn under Putin's leadership, which Kostyuk believes is driven by an imperialist mindset reminiscent of the USSR era. Her films aim to combat this.
Filming during wartime poses significant risks, and safety isn't a concern anymore, according to Kostyuk. She believes in choosing locations first and then dealing with the risks that come with them.
A shift has occurred in audience demand; last year's thirst for revenge has given way to a desire for escapism. "The Dam" hasn't performed as well as expected at the box office since its release, but Kostyuk remains undeterred. Her recent success with the live-action adaptation of Mavka showcases her adaptability and determination.
Ukrainian cinema is indeed filled with heroines who embody resilience in the face of unimaginable adversity. Iryna Kostyuk, with her courage to create under such difficult circumstances, should be recognized as one herself - a true heroine of dark times.
These films aren't just mere entertainment but serve as a platform for the nation's anguish and anger towards the invading forces. Kostyuk attributes this shift to the public mood during wartime. "People wanted revenge," she says, which is reflected in the graphic violence and dark magic in these films.
Kostyuk oversees a horror universe cycle called "Heroines of the Dark Times," with her latest film, "The Dam," following a unit of Ukrainian soldiers who must face their inner fears when they uncover an abandoned Soviet laboratory where nefarious experiments took place. "The Dam" is more than just a horror movie; it's also a story about trust and camaraderie among the soldiers.
Kostyuk hopes to transcend Ukrainian borders, appealing not only to fans of the genre but also to those in the west concerned with Russian expansionism. The war has taken an ominous turn under Putin's leadership, which Kostyuk believes is driven by an imperialist mindset reminiscent of the USSR era. Her films aim to combat this.
Filming during wartime poses significant risks, and safety isn't a concern anymore, according to Kostyuk. She believes in choosing locations first and then dealing with the risks that come with them.
A shift has occurred in audience demand; last year's thirst for revenge has given way to a desire for escapism. "The Dam" hasn't performed as well as expected at the box office since its release, but Kostyuk remains undeterred. Her recent success with the live-action adaptation of Mavka showcases her adaptability and determination.
Ukrainian cinema is indeed filled with heroines who embody resilience in the face of unimaginable adversity. Iryna Kostyuk, with her courage to create under such difficult circumstances, should be recognized as one herself - a true heroine of dark times.