Tanika Gupta's adaptation of Ibsen's classic, Hedda, takes a bold new direction by transposing the story to the world of filmmakers and movie stars in post-war London. This reimagining illuminates the racism that pervaded middle-class England at the time, where casual slurs were often met with polite nods rather than outrage.
Hedda, played by Pearl Chanda, is a complex figure - a white-passing woman who hides her Anglo-Indian heritage from the world. In an industry still grappling with segregation and institutionalized racism, Hedda's discovery of her true identity threatens to upend her carefully constructed life.
The play's cast of characters is multidimensional, with the lead roles of George (Joe Bannister) and Lenny (Jake Mann) being standout performances. The chemistry between Chanda and Mann is undeniable, particularly in their scenes together as former lovers. Their complicated past is a highlight of the production, bringing tension to an otherwise flat plot.
The set design by Simon Kenny effectively captures the opulence of 1948 London, but the pacing of the play struggles to build momentum. The dialogue often feels forced, with characters spewing forth their intentions and fears as readily as ordering coffee at a café. This can make it difficult for the audience to become fully invested in the emotional battles between the characters.
Despite these issues, Gupta's adaptation is a solid reimagining of Ibsen's classic. It sheds new light on the racism that was rampant during this period in London's film industry and provides a thought-provoking exploration of identity and power dynamics.
Hedda will be performed at the Orange Tree theatre until November 22nd, offering audiences the chance to experience this bold and timely adaptation for themselves.
Hedda, played by Pearl Chanda, is a complex figure - a white-passing woman who hides her Anglo-Indian heritage from the world. In an industry still grappling with segregation and institutionalized racism, Hedda's discovery of her true identity threatens to upend her carefully constructed life.
The play's cast of characters is multidimensional, with the lead roles of George (Joe Bannister) and Lenny (Jake Mann) being standout performances. The chemistry between Chanda and Mann is undeniable, particularly in their scenes together as former lovers. Their complicated past is a highlight of the production, bringing tension to an otherwise flat plot.
The set design by Simon Kenny effectively captures the opulence of 1948 London, but the pacing of the play struggles to build momentum. The dialogue often feels forced, with characters spewing forth their intentions and fears as readily as ordering coffee at a café. This can make it difficult for the audience to become fully invested in the emotional battles between the characters.
Despite these issues, Gupta's adaptation is a solid reimagining of Ibsen's classic. It sheds new light on the racism that was rampant during this period in London's film industry and provides a thought-provoking exploration of identity and power dynamics.
Hedda will be performed at the Orange Tree theatre until November 22nd, offering audiences the chance to experience this bold and timely adaptation for themselves.