Julius Eastman: A Power Greater Than review – Davóne Tines celebrates the maverick musician

I gotta say, I'm loving this revival of Julius Eastman's music! He was like a true original, pushing the limits of what's considered "normal" in classical music. The way his compositions blend different styles and emotions is just incredible. I mean, who knew that cello music could be so... intense? And that concert at Barbican - wow, it must have been electrifying! The way the instruments all came together to create this wild sonic landscape was like nothing I've ever experienced before.

I'm also loving how Eastman's music is still super relevant today. It's like he predicted what we'd be listening to 50 years in the future. His commitment to experimentation and innovation is truly inspiring, even if it can be a bit overwhelming at times (like with that one piece, The Holy Presence of Joan d'Arc... it was pretty intense! ).

Anyway, I think it's amazing how his legacy is being celebrated, especially after all these years. It's like we're finally getting to see the genius of this trailblazing composer up close and personal.

I'm totally feeling the vibe of Julius Eastman's music right now. The way Davóne Tines brought The Holy Presence of Joan d'Arc to life on stage was insane ! That cello work had me chills, you know? And I love how Conor Hanick's Piano 2 provided a nice contrast with the more energetic pieces... it just shows that Eastman's music isn't just about one vibe . But what really gets me is how his music still feels so fresh and relevant today - it's like he was always ahead of his time . And can we talk about the power of The Gay Guerilla? I mean, who knew a piano piece could be so... intense?

I'm loving how Davóne Tines is giving Julius Eastman the attention he deserves! The way he performed Touch Him When with that electric guitar was insane , but I do think Conor Hanick's Piano 2 was a great contrast - it showed that Eastman's music isn't just about chaos . And oh man, The Holy Presence of Joan d'Arc had me shook - Seth Parker Woods brought so much depth to the cello playing.

I wish more people knew about Julius Eastman back in his day, but I think this concert is a great reminder that his music still holds up today . It's crazy how he pushed boundaries like that and it's even more impressive now that we're seeing a new generation appreciate his work . The Gay Guerilla with all the different instruments was wild - Tolling chords are just everything !

I'm so stoked to see more people getting into Julius Eastman's work! The Barbican residency was insane - I mean, who needs that much distortion pedal? But seriously, The Holy Presence of Joan d'Arc gave me chills. There's something about the way Davóne Tines brought that prelude to life with his voice... it's like he's conjuring up a whole other world . And can we talk about Seth Parker Woods for a sec? That dude is a total cellist ninja ! The way they all came together in The Gay Guerilla was pure magic . I feel like Eastman's music is more relevant now than ever, you know? It's all about pushing boundaries and taking risks . Anyway, I'm totally hooked on his stuff now... who else has been listening to him?